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| Collection last updated: | May 20 2024 |
| Engine last updated: | Feb 18 2024 |
| Finnegans Wake lines: | 36 |
| Elucidations found: | 156 |
| 055.01 | so as he was able to add) lobe before the Great Schoolmaster's. |
|---|---|
| –055.01+ | globe [054.29] |
| –055.01+ | (God) [036.27] |
| 055.02 | (I tell you no story.) Smile! |
| –055.02+ | |
| 055.03 | The house of Atreox is fallen indeedust (Ilyam, Ilyum! Mae- |
| –055.03+ | {{Synopsis: I.3.1.I: [055.03-056.19]: the story is repeated in a train car — it is further vividly retold}} |
| –055.03+ | the gods of the Greek mythology cursed the descendants of Tantalus, most notably the House of Atreus (the father of Agamemnon) |
| –055.03+ | Latin atrox: cruel |
| –055.03+ | Motif: fall/rise [.05] |
| –055.03+ | indeed |
| –055.03+ | in the dust |
| –055.03+ | Matthew 27:46: (Jesus on the cross) 'Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou forsaken me?' |
| –055.03+ | Latin Ilium: Troy |
| –055.03+ | Ilya Muromets: popular hero-warrior of Russian folklore |
| –055.03+ | Latin maeror: mourning |
| –055.03+ | Miramar: castle near Trieste |
| 055.04 | romor Mournomates!) averging on blight like the mundibanks of |
| –055.04+ | mourn |
| –055.04+ | Modern Greek mourounomatês: having cod's eyes |
| –055.04+ | Thomas Moore: Irish Melodies: song Avenging and Bright [air: Crooghan a Venee; or, The Fenian Mount] |
| –055.04+ | verging |
| –055.04+ | German Mund: mouth |
| –055.04+ | muddy banks (of a river) |
| –055.04+ | mountebank: a charlatan, a quack |
| 055.05 | Fennyana, but deeds bounds going arise again. Life, he himself |
| –055.05+ | fenny: boggy, swampy (Anglo-Irish anny: Irish eanaigh: fenny) |
| –055.05+ | Fianna: Finn's warrior band |
| –055.05+ | Anna |
| –055.05+ | dead bones |
| –055.05+ | song These Bones Gwine to Rise Again |
| –055.05+ | bound to go and arise [.03] |
| 055.06 | said once, (his biografiend, in fact, kills him verysoon, if yet not, |
| –055.06+ | VI.B.16.117a (b): 'his biographer kills him' |
| –055.06+ | Irish Rivers, The Tolka 395/2: (of Thomas Parnell, a 17th-18th century poet and vicar of the parish of Finglas) 'Goldsmith and Johnson, his biographers, kill the poet in the following July, 1717; but he lived for at least one year longer than they allow him, for there is an entry in the parish vestry book, dated April 12, 1718, and signed with Parnell's name, in his own handwriting' |
| –055.06+ | fiend |
| –055.06+ | very soon, if not yet, after (Motif: Not yet) [003.10] |
| 055.07 | after) is a wake, livit or krikit, and on the bunk of our bread- |
| –055.07+ | live it (or die it) |
| –055.07+ | phrase take it or leave it: the offer is non-negotiable, it can only be accepted or refused |
| 055.08 | winning lies the cropse of our seedfather, a phrase which the |
| –055.08+ | crops (i.e. birth) |
| –055.08+ | corpse (i.e. death) |
| 055.09 | establisher of the world by law might pretinately write across |
| –055.09+ | a legend tells that when Confucius was born, the phrase 'established the world by law' was found written on his chest |
| –055.09+ | pretty neatly |
| –055.09+ | prenatally |
| –055.09+ | pertinently |
| –055.09+ | (across the shirtfront) [009.04] |
| 055.10 | the chestfront of all manorwombanborn. The scene, refreshed, |
| –055.10+ | manor |
| –055.10+ | man or woman born |
| –055.10+ | phrase to the manner born |
| –055.10+ | womb |
| –055.10+ | William Shakespeare: Macbeth IV.1.80: 'of woman born' |
| –055.10+ | Irish bán: woman |
| –055.10+ | VI.B.5.080e (r): 're-freshed' |
| 055.11 | reroused, was never to be forgotten, the hen and crusader ever- |
| –055.11+ | HCE (Motif: HCE) |
| 055.12 | intermutuomergent, for later in the century one of that puisne |
| –055.12+ | Legalese puisne: inferior, junior, younger, later, more recent (pronounced 'puny'; Obsolete puisne: small, puny) |
| 055.13 | band of factferreters, (then an excivily (out of the custom huts) |
| –055.13+ | fact-ferreters [051.11] |
| –055.13+ | German Verräter: traitor |
| –055.13+ | ECH (Motif: HCE) |
| –055.13+ | ex-civil-servant [040.16] |
| –055.13+ | when Jim Tully, a Dublin clerk, was introduced to the young James Joyce in the Scotch House pub as 'a clerk in the custom house', Joyce rejoined 'a clerk out of the custom house' (related in Garvin's James Joyce's Disunited Kingdom, 5-6) |
| –055.13+ | Custom House, Dublin |
| 055.14 | (retired), (hurt), under the sixtyfives act) in a dressy black modern |
| –055.14+ | Joyce: Ulysses.17.1546: 'retiring allowance (based on the 65 system)' |
| –055.14+ | (retire at age sixty-five) |
| –055.14+ | Variants: {FnF, Vkg, JCM: ...act) in...} | {Png: ...act in...} |
| –055.14+ | Motif: 7 items of clothing [.14-.16] |
| 055.15 | style and wewere shiny tan burlingtons, (tam, homd and dicky, |
| –055.15+ | (Motif: stuttering) |
| –055.15+ | (boots) |
| –055.15+ | tam: tam-o'-shanter, a Scottish cap |
| –055.15+ | Motif: Tom, Dick and Harry |
| –055.15+ | German Hemd: shirt |
| –055.15+ | dicky: a detached shirt-front |
| 055.16 | quopriquos and peajagd) rehearsed it, pippa pointing, with a |
| –055.16+ | phrase quid pro quo: exchange of a commensurate nature (from Latin quid pro quo: something for something) |
| –055.16+ | pea-jacket: a sailor's heavy overcoat |
| –055.16+ | German Jagd: hunt |
| –055.16+ | (put back in hearse) |
| –055.16+ | Browning: Pippa Passes |
| –055.16+ | Italian pipa: pipe (i.e. pointing with his pipe; the cad with the pipe) |
| 055.17 | dignified (copied) bow to a namecousin of the late archdeacon |
| –055.17+ | Archdeacon J.F.X.P. Coppinger [.30] |
| 055.18 | F. X. Preserved Coppinger (a hot fellow in his night, may the |
| –055.18+ | Saint Francis Xavier |
| –055.18+ | XP: an ancient monogram for Christ (the first two letters of Christ in Greek) |
| –055.18+ | VI.B.2.028c (r): 'Preserved Smith' |
| –055.18+ | Lloyd: God-Eating, A Study in Christianity and Cannibalism 13: 'Professor Preserved Smith, in an excellent article in the Monist for May 1918' |
| –055.18+ | Henry Preserved Smith: 19th-20th century American biblical scholar |
| –055.18+ | phrase in his day |
| 055.19 | mouther of guard have mastic on him!) in a pullwoman of our |
| –055.19+ | prayer Mother of God, have mercy |
| –055.19+ | mouth guard |
| –055.19+ | mastic: a gum exuded by certain trees (used as a spice in desserts and as a chewing gum; formerly used in medicine) |
| –055.19+ | mastication: chewing |
| –055.19+ | Greek mastix: a scourge, whip |
| –055.19+ | Pullman: a railway carriage used as a saloon and sleeping-car |
| 055.20 | first transhibernian with one still sadder circumstance which is a |
| –055.20+ | Trans-Siberian Railway |
| –055.20+ | Variants: {FnF, Vkg, Png: ...transhibernian with...} | {BMs (47475-24v): ...transhibernian overground with...} |
| –055.20+ | Hibernian: Irish |
| –055.20+ | (sadder than) [052.06] |
| 055.21 | dirkandurk heartskewerer if ever to bring bouncing brimmers |
| –055.21+ | German durch und durch: through and through |
| –055.21+ | dirk: a type of dagger |
| –055.21+ | VI.B.31.198g-.199a (r): 'bounceye tears, marbles' (last word not crayoned) |
| –055.21+ | Douglas: London Street Games 63: 'In Bounce Eye each player gave a certain number of marbles which were polled in a ring. Then one of them held a marble to his eye and dropped it among them; if any others were knocked out of the ring he kept them; if none, his own marble went into the pool' (children's game) |
| –055.21+ | brimmer: a cup or goblet filled to the brim |
| –055.21+ | (brimming tears) |
| 055.22 | from marbled eyes. Cycloptically through the windowdisks and |
| –055.22+ | (gazing out of the train windows at a tree) |
| –055.22+ | cyclically |
| –055.22+ | (with one eye, like a cyclops) |
| –055.22+ | (with round (cyclic) eyes) |
| –055.22+ | German Fensterscheibe: windowpane (literally 'window-disk') |
| 055.23 | with eddying awes the round eyes of the rundreisers, back to back, |
| –055.23+ | Variants: {FnF, Vkg, JCM: ...rundreisers...} | {Png: ...rundeisers...} |
| –055.23+ | German Rundreise: tour |
| –055.23+ | VI.B.42.015e (b): 'back to back' [287.06] |
| –055.23+ | passengers on a jaunting car (a single-horse two-wheeled carriage popular in 19th century Ireland) normally sit back to back [.24] |
| 055.24 | buck to bucker, on their airish chaunting car, beheld with in- |
| –055.24+ | song The Irish Jaunting Car [.23] |
| –055.24+ | air, chanting (singing) |
| –055.24+ | Intourist: Russian travel agency |
| 055.25 | touristing anterestedness the clad pursue the bare, the bare the |
| –055.25+ | tourist interestedness |
| –055.25+ | Motif: 4-stage Viconian cycle |
| –055.25+ | Motif: 4 seasons (clad, bare, green, frore = autumn (clouded), summer (unclouded), spring (lush), winter (frozen)) [.25-.26] |
| –055.25+ | William Shakespeare: The Winter's Tale III.3.57: 'Exit, pursued by a bear' (possibly Shakespeare's most famous stage direction) |
| 055.26 | green, the green the frore, the frore the cladagain, as their convoy |
| –055.26+ | Archaic frore: frozen |
| 055.27 | wheeled encirculingly abound the gigantig's lifetree, our fire- |
| –055.27+ | encirclingly |
| –055.27+ | about |
| –055.27+ | around |
| –055.27+ | gigantic |
| –055.27+ | (Yggdrasil: world-tree in Norse myth) |
| –055.27+ | four-leaved clover is said to bring good luck to its finder |
| 055.28 | leaved loverlucky blomsterbohm, phoenix in our woodlessness, |
| –055.28+ | phrase lucky in love: successful in romantic relationships |
| –055.28+ | Danish blomster: flowers |
| –055.28+ | German Baum: Dutch boom: tree |
| –055.28+ | Phoenix dactylifera: date palm |
| –055.28+ | (Ireland is the most deforested country in Europe (Joyce: Ulysses.12.1258: 'As treeless as Portugal we'll be soon')) |
| 055.29 | haughty, cacuminal, erubescent (repetition!) whose roots they be |
| –055.29+ | HCE (Motif: HCE) |
| –055.29+ | Latin Artificial cacuminalis: pointed, sharpened |
| –055.29+ | Archaic erubescent: blushing |
| –055.29+ | Slang root: penis |
| 055.30 | asches with lustres of peins. For as often as the Archicadenus, |
| –055.30+ | ALP (Motif: ALP) |
| –055.30+ | German Asche: ash, ashes |
| –055.30+ | Aix-les-Bains: town in southeast France, famous for its hot springs |
| –055.30+ | lustre: five-year period |
| –055.30+ | clusters |
| –055.30+ | German Pein: agony, torment |
| –055.30+ | penis |
| –055.30+ | pines |
| –055.30+ | archdeacon [.17] |
| –055.30+ | cad (the cad with the pipe) |
| –055.30+ | Swift: Cadenus and Vanessa (Cadenus is an anagram of Latin Decanus: Dean, Swift's title and epithet; Vanessa refers to Swift's Vanessa) |
| 055.31 | pleacing aside his Irish Field and craving their auriculars to re- |
| –055.31+ | placing |
| –055.31+ | Irish Field and Gentleman's Gazette, Dublin |
| –055.31+ | auricular: pertaining to the ear |
| –055.31+ | receptible: capable of receiving |
| –055.31+ | receptacle |
| 055.32 | cepticle particulars before they got the bump at Castlebar (mat |
| –055.32+ | 'Castlebar Races': British retreat from French army in County Mayo, 1798 |
| 055.33 | and far!) spoke of it by request all, hearing in this new reading |
| –055.33+ | Levey & O'Rorke: Annals of the Theatre Royal, Dublin 194: (of Balfe's opera) '"The secret of my birth," was a wonderful success — the great tenor adding to the effect by, now and then, a judicious "new reading," without marring the intention of the composer' |
| 055.34 | of the part whereby, because of Dyas in his machina, the new |
| –055.34+ | Dyas: equivalent of Zeus in the Vedas |
| –055.34+ | Greek dyas: two |
| –055.34+ | Latin deus ex machina: providential intervention, a plot device resolving a seemingly unsolvable situation in an unexpected and unlikely manner (literally 'god from the machine') |
| 055.35 | garrickson's grimacing grimaldism hypostasised by substintua- |
| –055.35+ | Hughes: The Pre-Victorian Drama in Dublin 4: (of David Garrick, a famous 18th century Dublin actor) 'Garrick's school of grimace' |
| –055.35+ | garrison |
| –055.35+ | Joseph Grimaldi: famous 18th century English clown |
| –055.35+ | hypostasise: to regard as real or substantial; to embody |
| –055.35+ | hypostasis: in metaphysics, substance, essence, foundation; in theology, one of the three persons of the Trinity, the union of Christ's human and divine natures |
| 055.36 | tion the axiomatic orerotundity of that once grand old elrington |
| –055.36+ | Greek axiomatikos: officer |
| –055.36+ | orotundity: the quality of clarity and strength of voice (in public speaking) |
| –055.36+ | Latin ore rotundo: with rounded mouth |
| –055.36+ | Hughes: The Pre-Victorian Drama in Dublin 4: 'Thomas Elrington' (18th century Dublin actor, mentioned in Swift: Billet to a Company of Players) |
| –055.36+ | Francis Elrington Ball: 19th-20th century Irish historian, among other things edited Swift's letters and wrote a book on his verse |
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