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Finnegans Wake lines: 43
Elucidations found: 113

260.01     As we there are where are we are we there
–260.01+(CHAPTER: a reproduction of a schoolboy's (and schoolgirl's) old classbook complete with marginalia by the twins, who change sides at half time (Left/Right, *C*/*V* to *V*/*C*), 229 footnotes by the girl (*I*), who doesn't, a Euclid diagram, funny drawings, etc.)
–260.01+{{Synopsis: II.2.1.A: [260.01-261.22] [260.F01-261.F04] [260.L01-261.L08] [260.R01-260.R08]: the route back to the tavern — him and his mausoleum}}
–260.01+(ABC-BCA-CAB rotation pattern)
–260.01+Variants: {FnF, Vkg, Png: ...we there from...} | {BMs (47478-157): ...we here haltagain. By recourse, of course, recoursing from...}
260.02from tomtittot to teetootomtotalitarian. Tea
–260.02+(progress of civilisation)
–260.02+Tom Tit Tot: a folktale in which a demon's threat depends on the secrecy of his name (akin to Rumpelstiltskin)
–260.02+teetotum (originally T. totum): a four-sided disk spun in a game of chance
–260.02+teetotaller
–260.02+totalitarian
–260.02+titty two
260.03tea too oo.
–260.03+song Tea for Two
–260.03+00: a sign indicating a public lavatory (especially in Europe)
260.04     Whom will comes over. Who to caps ever.
–260.04+until
260.05And howelse do we hook our hike to find that
–260.05+(children return to father's house, to Dublin, after II.1)
–260.05+Howth (Howth Head)
–260.05+Motif: Why do I am alook alike a poss of porterpease?
–260.05+Motif: hook/eye
260.06pint of porter place? Am shot, says the big-
–260.06+(pub)
–260.06+Irish anseo: here
–260.06+shut
–260.06+blackguard (*E*) [.L01]
260.07guard.1
–260.07+
260.08     Whence. Quick lunch by our left, wheel,
–260.08+(imaginary itinerary [.R03] through Dublin, using [293.12] references)
–260.08+(steps: (a) start at P (Arran Quay, after lunch)) [.F04]
–260.08+VI.B.3.106a (r): 'quick lunch'
–260.08+O. Henry: The Four Million 44: 'Between Rounds': ''Twas hasty puddin', as ye say,... and hurry-up turnips and get-a-move-on-ye coffee. 'Twas what ye could call a quick lunch, all right, and tell no lie'
–260.08+'quick march... by the left' (army)
260.09to where. Long Livius Lane, mid Mezzofanti
–260.09+(steps: (b) walk to L (down Liffey to Custom House, Amiens Street and then to North Circular Road))
–260.09+(seven streets named after seven famous people, possibly in reference to the seven disciplines of the Medieval Trivium and Quadrivium) [.L06] [.12]
–260.09+along
–260.09+Titus Livius: 1st century Roman historian [.13]
–260.09+(AL forms the diagonal of the APLpi square) [293.12]
–260.09+Giuseppi Mezzofanti: 18th century linguist
260.10Mall, diagonising Lavatery Square, up Tycho
–260.10+(diagonally crossing)
–260.10+die agonising
–260.10+Philip Lavater: 18th century Swiss physiognomist, poet, mystic and theologist
–260.10+lavatory
–260.10+Sir John Lavery: Irish painter (Joyce: Letters Beach.46: letter 17/08/24 to Sylvia Beach: (of Patrick Tuohy's portrait of John Joyce entered for the Tailteann Games) 'in giving his awards at Dublin Sir John Lavery passed over the portrait of my father (second prize) and gave the first prize to a painting by Mr Keating. The press says the award was "keenly critcised"')
–260.10+(steps: (c) continue up to pi (where Phibsborough Road crosses North Circular Road, after passing Mater Misericordiae Hospital and Berkeley Road on the way)) [.F04]
260.11Brache Crescent,2 shouldering Berkeley Alley,
–260.11+Tycho Brahe: 16th century Danish astronomer
–260.11+George Berkeley: 18th century Anglo-Irish philosopher
–260.11+Berkeley Road, Dublin
260.12querfixing Gainsborough Carfax, under Guido
–260.12+German quer: across
–260.12+Thomas Gainsborough: 18th century English painter
–260.12+Phibsborough Road, Dublin
–260.12+carfax: a place where four roads meet
–260.12+Obsolete carfax: the quadrivium (music, arithmetic, geometry, astronomy)
–260.12+(steps: (d) descend to A (main gate of Phoenix Park))
–260.12+Guido d'Arezzo: 11th century composer, inventor of the sol-fa system of musical note representation [.L07]
260.13d'Arezzo's Gadeway, by New Livius Lane till
–260.13+Danish gade: street
–260.13+gateway
–260.13+Motif: old/new [.14]
–260.13+Titus Livius: 1st century Roman historian [.09]
–260.13+(steps: (e) return to P (along Liffey again))
260.14where we whiled while we whithered. Old
–260.14+Colloquial Old Vic: Royal Victoria Theatre, London [.13]
260.15Vico Roundpoint. But fahr, be fear! And
–260.15+Piazza Giambattista Vico, Trieste
–260.15+Vico Road, Dalkey
–260.15+But fahr, be fear!... marriage... we know, like any e... c... h... in her (rainbow colours)... who was wist was ware... En elv... tides... haply return [260.15-261.05] [215.18-.23] [614.07-.08]
–260.15+German fahren: to ride
–260.15+German Gefahr: danger
–260.15+far
–260.15+Irish fear: man
260.16natural, simple, slavish, filial. The marriage of
–260.16+Aquinas (Summa Theologica II.II.19) distinguishes filial, initial, servile, and worldly fear (filialem, initialem, servilem, and mundanum)
260.17Montan wetting his moll we know, like any
–260.17+Montanus: heretic, loved by Priscilla and Maximilla (Flaubert's Saint Antoine)
–260.17+Slang wetting: having sex with
–260.17+wedding
–260.17+Colloquial phrase wet one's whistle: to have a drink
–260.17+Slang moll: prostitute, a criminal's girl [.18] [261.01]
260.18enthewsyass cuckling a hoyden3 in her rougey
–260.18+ECH (Motif: HCE)
–260.18+enthusiast
–260.18+Obsolete cuckle: to indulge or pamper (e.g. a child)
–260.18+German Küchlein: chicken
–260.18+hoyden: ill-bred girl or woman [.17] [261.01]
–260.18+Motif: 7 colours of rainbow [260.18-261.02]
–260.18+rouge (red)
260.F01     1 Rawmeash, quoshe with her girlic teangue. If old Herod with the Corm-
–260.F01+[[Speaker: *I*]]
–260.F01+raw meat
–260.F01+Anglo-Irish rawmaish: romance or fiction, foolish nonsense, brainless talk (from Irish ráiméis)
–260.F01+quoth she
–260.F01+garlic
–260.F01+Gaelic
–260.F01+Irish teanga: language
–260.F01+tongue
–260.F01+HCE (Motif: HCE)
–260.F01+King Herod the Great suffered from a gangrenous skin infection at the time of his death
–260.F01+Oliver Cromwell
–260.F01+Cornwall (King Mark of Cornwall)
260.F02well's eczema was to go for me like he does Snuffler whatever about his blue
–260.F02+does snuffle
–260.F02+song 'Twas off the Blue Canaries
260.F03canaries I'd do nine months for his beaver beard.
–260.F03+(hard labour)
–260.F03+(pregnancy)
–260.F03+Slang beaver: beard; bearded man
–260.F03+VI.C.2.172j (o): 'beaverboard'
–260.F03+Connacht Tribune 16 May 1925, 7/5: 'Cuckoo Legislation': (of the lower quality of newer houses) 'Those old houses had no coloured paper slates like the new houses in Claddagh nor had they fake beaver-boards, sound-conducting walls to substitute a thing called plaster' (beaver-board: a type of wood-fibre building board)
260.F04     2 Mater Mary Mercerycordial of the Dripping Nipples, milk's a queer
–260.F04+Mater Misericordiae Hospital, Dublin [.10]
–260.F04+Saint Mary's Hospital, Phoenix Park, Dublin (the Virgin Mary)
–260.F04+Mary Mercer founded Mercer's Hospital, Mercer Street, Dublin
–260.F04+Virgin Mary's Nipple: in Somerset, the name of plant yielding a plentiful supply of milk-white sap (the Virgin Mary)
–260.F04+VI.C.3.158l (b): === VI.B.1.152e ( ): 'drippy nipples' ('y' replaces a cancelled 'ing')
–260.F04+Crawford: Back to the Long Grass 107: 'stubby little milch goats waddling along with dripping nipples'
–260.F04+Arran Quay, Dublin [.08]
260.F05arrangement.
–260.F05+
260.F06     3 Real life behind the floodlights as shown by the best exponents of a royal
–260.F06+W.G. Wills: A Royal Divorce
260.F07divorce.
–260.F07+
260.L01With his broad
–260.L01+[[Speaker: *C*]] (lighter, more frolicking, tone)
–260.L01+Variants: {FnF, Vkg, Png: (the note coincides with line .04)} | {BMs (47478-162): (the note clearly coincides with line .02)}
–260.L01+Variants: {FnF, Vkg, JCM: With...} | {Png: with...}
260.L02and hairy face,
–260.L02+face, disgrace [434.21]
260.L03to Ireland a
–260.L03+
260.L04disgrace.
–260.L04+
260.L05Menly about
–260.L05+Mainly About People: 19th century Irish weekly
260.L06peebles.
–260.L06+
260.L07Dont retch meat
–260.L07+sol-fa system of musical note representation, in order: do, re, mi, fa, sol, la, si, do + ut ('ut' is the old name for 'do') [.12]
260.L08fat salt lard
–260.L08+
260.L09sinks down (and
–260.L09+
260.L10out).
–260.L10+
260.R01UNDE ET UBI.
–260.R01+(right margin notes throughout the chapter are aligned to the beginning of their respective paragraphs)
–260.R01+[[Speaker: *V*]] (heavier, more academic, tone)
–260.R01+Latin unde et ubi: whence and where [.08-.09]
–260.R01+Motif: Urbi et Orbi (pope's address)
260.R02SIC.
–260.R02+Latin sic: thus
260.R03IMAGINABLE
–260.R03+
260.R04ITINERARY
–260.R04+
260.R05THROUGH
–260.R05+
260.R06THE
–260.R06+
260.R07PARTICULAR
–260.R07+particular and universal propositions in logic (opposites)
260.R08UNIVERSAL.
–260.R08+


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