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Collection last updated: | May 20 2024 |
Engine last updated: | Feb 18 2024 |
Finnegans Wake lines: | 36 |
Elucidations found: | 96 |
466.01 | Why, they might be Babau and Momie! Yipyip! To pan! To |
---|---|
–466.01+ | Italian babau: bogey, bugbear, dreaded monster, terrifying person |
–466.01+ | Italian Childish babbo: father, daddy (used by Joyce regularly in signing his letters to his son) |
–466.01+ | Greek to pan: the whole, the totality |
466.02 | pan! To tinpinnypan. All folly me yap to Curlew! Give us a pin |
–466.02+ | song Follow Me Up to Carlow |
–466.02+ | Variants: {FnF, Vkg, JCM: ...Curlew! Give...} | {Png: ...Curlew. Give...} |
–466.02+ | VI.B.33.120e (r): '*I* get a pin for me' |
–466.02+ | Young: Trial of Frederick Bywaters and Edith Thompson 166: (letter from Edith Thompson to Bywaters, trial exhibit 27) 'Such things as wiping up, getting pins for me etc, all counted, darlint... obeying little requests — such as getting a pin, it was a novelty — he'd never done that' |
466.03 | for her and we'll call it a tossup. Can you reverse positions? |
–466.03+ | Variants: {FnF, Vkg, JCM: ...positions? Lets...} | {Png: ...positions. Lets...} |
466.04 | Lets have a fuchu all round, courting cousins! Quuck, the duck |
–466.04+ | let's |
–466.04+ | Chinese fu-chu: to aid |
–466.04+ | Slang fuck: to have sex with |
–466.04+ | [211.15] |
–466.04+ | Motif: duck/drake [.05] |
466.05 | of a woman for quack, the drake of a man, her little live apples |
–466.05+ | |
466.06 | for Leas and love potients for Leos, the next beast king. Put |
–466.06+ | ALP (Motif: ALP) |
–466.06+ | love potion (drunk by Tristan and Iseult) |
–466.06+ | Anglo-Irish poteen: illicit whiskey |
–466.06+ | Latin leo: lion (king of beasts) |
–466.06+ | R. Ord and W. Gayer-Mackay: Paddy-the-Next-Best-Thing (play, 1920) |
466.07 | me down for all ringside seats. I can feel you being corrupted. |
–466.07+ | |
466.08 | Recoil. I can see you sprouting scruples. Get back. And as |
–466.08+ | VI.B.33.141c (r): 'recoil' |
466.09 | he's boiling with water I'll light your pyre. Turn about, skeezy |
–466.09+ | |
466.10 | Sammy, out of metaphor, till we feel are you still tropeful |
–466.10+ | top full |
–466.10+ | hopeful |
466.11 | of popetry. Told you so. If you doubt of his love of darearing |
–466.11+ | poetry |
–466.11+ | declaring |
466.12 | his feelings you'll very much hurt for mishmash mastufractured |
–466.12+ | Mischmasch: a magazine written and illustrated by Lewis Carroll for the amusement of his family |
–466.12+ | manufactured in Europe |
466.13 | on europe you can read off the tail of his. Rip ripper rippest and |
–466.13+ | Jack the Ripper |
466.14 | jac jac jac. Dwell on that, my hero and lander! That's the side |
–466.14+ | Hero and Leander |
466.15 | that appeals to em, the wring wrong way to wright woman. Shuck |
–466.15+ | Motif: right/wrong |
–466.15+ | E.A. Wright: editor of Saint Jerome's letters |
466.16 | her! Let him! What he's good for. Shuck her more! Let him |
–466.16+ | |
466.17 | again! All she wants! Could you wheedle a staveling encore out |
–466.17+ | stave: staff, a set of lines for musical notation |
–466.17+ | starveling |
466.18 | of your imitationer's jubalharp, hey, Mr Jinglejoys? Congrega- |
–466.18+ | Genesis 4:21: 'Jubal: he was the father of all such as handle the harp and organ' |
–466.18+ | German Jubel: jubilation |
–466.18+ | jews' harp: a small musical instrument consisting of a metal frame (held between the teeth) and a metal tongue (plucked with the finger) |
–466.18+ | Lewis: The Art of Being Ruled 400: (chapter title) 'MR. JINGLE AND MR. BLOOM' (mockingly compares Joyce's style for Bloom's stream of consciousness in Joyce: Ulysses with that of Mr. Jingle in Charles Dickens: all works: The Pickwick Papers) |
–466.18+ | James Joyce |
466.19 | tional singing. Rota rota ran the pagoda con dio in capo ed il dia- |
–466.19+ | Italian rota: wheel |
–466.19+ | song Rhoda and Her Pagoda: (chorus) 'Rhoda, Rhoda ran a Pagoda, Selling cakes and lemon and soda, Many a maiden met a man At the pretty Pagoda Rhoda ran!' (from the 1899 musical 'San Toy; or The Emperor's Own'; in the musical, the chorus is regularly interspersed by a humming refrain reading 'Ladies: Ummm') [.19-.21] |
–466.19+ | Italian con dio in capo ed il diavolo in coda: with God at the head and the devil at the tail (Motif: head/foot) |
–466.19+ | phrase devil take the hindmost: people do (or should do) only what is best for their own interests, leaving others (the hindmost) to fend for themselves (i.e. may the weak be damned) |
466.20 | volo in coda. Many a diva devoucha saw her Dauber Dan at the |
–466.20+ | Italian diva: goddess; glamorous female performer |
–466.20+ | Czech divá devucha: mad girl |
–466.20+ | Italian deboscia: debauchery |
–466.20+ | Serbo-Croatian dobar dan: good day, good afternoon |
466.21 | priesty pagoda Rota ran. Uck! He's so sedulous to singe always |
–466.21+ | Russian pogoda: weather |
–466.21+ | Rota: supreme court of the Roman Catholic Church |
–466.21+ | R.L. Stevenson: Memories and Portraits IV: 'I played the sedulous ape' |
–466.21+ | sing |
–466.21+ | French singe: ape |
–466.21+ | J.M. Synge |
466.22 | if prumpted, the mirthprovoker! Grunt unto us, I pray, your fore- |
–466.22+ | VI.B.17.088b (g): 'if prompted' |
–466.22+ | Chervin: Bégaiement 157: 'Si on a le soin de parler avec le bègue ; si, devinant les mots qu'il va prononcer, on les lui dit à l'avance, il est considérablement aidé' (French 'If we take care to speak with the stutterer; if, guessing the words he is going to pronounce, we say them to him in advance, it helps him considerably') |
–466.22+ | Variants: {FnF, Vkg, JCM: ...mirthprovoker! Grunt...} | {Png: ...mirthprovoker. Grunt...} |
–466.22+ | grant |
–466.22+ | German verboten: Dutch verboden: forbidden |
466.23 | boden article in our own deas dockandoilish introducing the |
–466.23+ | Irish deas: nice |
–466.23+ | VI.B.17.083d (b): 'docandoilish *Y*' |
–466.23+ | Chervin: Bégaiement 55: 'Les mots sont beaucoup plus sonores dans la langue d'oc que dans la langue d'oïl' (French 'Words are much more voiced in the langue d'oc than in the langue d'oïl') |
–466.23+ | French langue d'oc: dialect of Southern France |
–466.23+ | Anglo-Irish deoch an dorais: parting drink, last drink before going home (literally 'drink of the door') |
–466.23+ | French langue d'oïl: dialect of Northern France |
466.24 | death of Nelson with coloraturas! Coraio, fra! And I'll string |
–466.24+ | song The Death of Nelson |
–466.24+ | coloratura: florid ornaments in vocal music |
–466.24+ | Triestine Italian Dialect coraio, fra: courage, brother (i.e. cheer up) |
–466.24+ | sing |
466.25 | second to harmanize. My loaf and pottage neaheaheahear Ro- |
–466.25+ | (play second fiddle) |
–466.25+ | harmonise |
–466.25+ | song My Love and Cottage near Rochelle |
466.26 | chelle. With your dumpsey diddely dumpsey die, fiddeley fa. |
–466.26+ | Fra Diavolo: Italian brigand (also title of Auber's opera about him) [.24] |
466.27 | Diavoloh! Or come on, schoolcolours, and we'll scrap, rug and |
–466.27+ | Italian diavolo: the deuce! |
–466.27+ | Wells [.34] |
466.28 | mat and then be as chummy as two bashed spuds. Bitrial bay |
–466.28+ | German Zweikampf: duel (literally 'bi-trial') |
–466.28+ | (mashed potatoes) |
466.29 | holmgang or betrayal buy jury. Attaboy! Fee gate has Heenan |
–466.29+ | VI.B.18.240e (g): 'holmgang' |
–466.29+ | Worsaae: An Account of the Danes and Norwegians in England, Scotland, and Ireland 161: '"Holmgang," or Trial by Duel... This sort of combat was called "holmgang" because the duel generally took place on a small island, or holm, where it was conducted according to fixed laws' |
–466.29+ | holmgang: among the Vikings, duel to the death, as a form of trial (from Old Norse hólmganga) |
–466.29+ | Gilbert and Sullivan: Trial by Jury |
–466.29+ | German wie geht es Ihnen heute, mein dunkler Herr?: how are you today, my dark sir? (Motif: How are you today, my dark/fair sir?) |
466.30 | hoity, mind uncle Hare? What, sir? Poss, myster? Acheve! Thou, |
–466.30+ | postmaster |
–466.30+ | French acheve!: finish! |
466.31 | thou! What say ye? Taurus periculosus, morbus pedeiculosus. |
–466.31+ | Latin taurus periculosus: dangerous bull |
–466.31+ | Latin morbus pedeiculosus: lousy disease |
466.32 | Miserere mei in miseribilibus! There's uval lavguage for you! The |
–466.32+ | Latin miserere mei in miserabilibus: pity me in my wretchednesses |
–466.32+ | Italian uva: grapes |
–466.32+ | awful |
–466.32+ | Danish lav: low |
466.33 | tower is precluded, the mob's in her petticoats; Mr R. E. Meehan |
–466.33+ | (mock translation) |
–466.33+ | Slang mob: whore |
–466.33+ | (*S*) |
466.34 | is in misery with his billyboots. Begob, there's not so much |
–466.34+ | H.G. Wells: The Misery of Boots (pamphlet, 1907) [.27] |
466.35 | green in his Ireland's eye! Sweet fellow ovocal, he stones out of |
–466.35+ | Colloquial phrase green in one's eye: gullibility [162.32] |
–466.35+ | Ireland's Eye: small island off Howth Head |
–466.35+ | Thomas Moore: Irish Melodies: song The Meeting of the Waters: 'Sweet vale of Avoca!' (Cluster: John McCormack's Repertoire) |
–466.35+ | German stöhnen: to groan |
–466.35+ | sings out of tune |
466.36 | stune. But he could be near a colonel with a voice like that. The |
–466.36+ | kernel (stone) |
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