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Finnegans Wake lines: | 36 |
Elucidations found: | 130 |
467.01 | bark is still there but the molars are gone. The misery billyboots |
---|---|
–467.01+ | phrase one's bark is worse than one's bite: one appears more intimidating than one really is |
–467.01+ | Latin de miserabilibus: corncerning the pitiable |
–467.01+ | (Mulligan lends Stephen boots in Joyce: Ulysses) |
467.02 | I used to lend him before we split and, be the hole in the year, |
–467.02+ | |
467.03 | they were laking like heaven's reflexes. But I told him make your |
–467.03+ | Anglo-Irish Pronunciation laking: leaking |
–467.03+ | Lakes of Killarney known as 'Heaven's Reflection' |
–467.03+ | reflex action |
–467.03+ | may |
–467.03+ | prayer Lord's Prayer: 'Thy will be done' |
467.04 | will be done and go to a general and I'd pray confessions for |
–467.04+ | General Confession: confession of sins of one's whole life |
–467.04+ | prayer Confiteor (Latin 'I confess'; a public confessional prayer said at the beginning of Mass) |
467.05 | him. Areesh! Areesh! And I'll be your intrepider. Ambras! |
–467.05+ | Irish arís: again |
–467.05+ | interpreter |
–467.05+ | embrace |
467.06 | Ruffle her! Bussing was before the blood and bissing will behind |
–467.06+ | Archaic buss: to kiss |
–467.06+ | flood |
–467.06+ | German Biss: a bite |
–467.06+ | kissing |
467.07 | the curtain. Triss! Did you note that worrid expressionism on |
–467.07+ | (doomsday) |
–467.07+ | Tristan and Iseult |
–467.07+ | Issy (i.e. addressing Izzy) |
–467.07+ | (musical note) |
–467.07+ | worried expression |
–467.07+ | word |
467.08 | his megalogue? A full octavium below me! And did you hear |
–467.08+ | megaphone |
–467.08+ | octave |
–467.08+ | Octavius: hero of Don Giovanni |
467.09 | his browrings rattlemaking when he was preaching to himself? |
–467.09+ | rattlesnake |
–467.09+ | VI.B.17.007d (b): '*C* preaches to self' |
467.10 | And, whoa! do you twig the schamlooking leaf greeping ghastly |
–467.10+ | Anglo-Irish twig: to understand, know, notice, get the point |
–467.10+ | German Scham: shame |
–467.10+ | shamrock |
467.11 | down his blousyfrock? Our national umbloom! Areesh! He |
–467.11+ | blouse, frock (Motif: butcher's or bishop's apron or blouse) |
–467.11+ | lousy |
–467.11+ | national emblem |
–467.11+ | Irish arís: again |
467.12 | won't. He's shoy. Those worthies, my old faher's onkel that |
–467.12+ | German scheu: shy (pronounced 'shoy') |
–467.12+ | VI.B.30.006f (r): 'British Worthy' ('ritish' uncertain; only last word crayoned) |
–467.12+ | Jones: King Arthur in History and Legend 125: 'the "dramatic opera" called King Arthur, or the British Worthy, which Dryden composed shortly before Charles II.'s death' (King Arthur) |
–467.12+ | father |
–467.12+ | German Onkel: uncle |
467.13 | was garotted, Caius Cocoa Codinhand, that I lost in a crowd, |
–467.13+ | VI.B.30.005a (r): 'Finn lost in crowd' |
–467.13+ | Jones: King Arthur in History and Legend 95: (of King Arthur) 'Exalted, as a world conqueror, to a level with Alexander and Charlemagne, he becomes, like them, largely lost to sight among the crowd of fabulous characters called up around him by the professional romancers' |
467.14 | used to chop that tongue of his, japlatin, with my yuonkle's |
–467.14+ | (used to speak foreign tongue briskly before Tower of Babel fell and language was confounded) |
–467.14+ | Joyce: Letters I.242: letter 15/07/26 to Harriet Shaw Weaver: 'The Japanese came to see me and was delighted with the japlatin I showed him in *V*bc' |
–467.14+ | German Onkel: uncle |
467.15 | owlseller, Woowoolfe Woodenbeard, that went stomebathred, |
–467.15+ | old fellow |
–467.15+ | VI.B.17.083a (b): 'Woowolfe' |
–467.15+ | Chervin: Bégaiement 86: (in a list of words for stuttering in different languages, including this West African language) 'Wolof' |
–467.15+ | (Motif: stuttering) |
–467.15+ | Sitric Silkenbeard led the Danes against Brian Boru in the Battle of Clontarf, 1014 |
–467.15+ | Stoneybatter: street, Dublin |
–467.15+ | (stone deaf) |
–467.15+ | Anglo-Irish bothered: deaf |
467.16 | in the Tower of Balbus, as brisk, man, as I'd scoff up muttan |
–467.16+ | Balbus: a Roman said to have built a wall in Gaul [004.30] |
–467.16+ | Latin balbus: stammering (Motif: stuttering) |
–467.16+ | Babel |
–467.16+ | cough up mutton chops |
–467.16+ | Mutt and Jeff: American comic-strip characters |
467.17 | chepps and lobscouse. But it's all deafman's duff to me, |
–467.17+ | Slang lobscouse: a dish of salt beef, biscuits and onions, well peppered and stewed together (eaten at sea) |
–467.17+ | lobsters |
–467.17+ | (it's all Greek to me) |
–467.17+ | Motif: ear/eye (deaf, blind) |
–467.17+ | children's game Blind Man's Buff |
467.18 | begob. Sam knows miles bettern me how to work the |
–467.18+ | better than |
–467.18+ | Slang work the oracle: raise money |
467.19 | miracle. And I see by his diarrhio he's dropping the stammer |
–467.19+ | diarrhoea |
–467.19+ | Italian diario: diary |
–467.19+ | (writing from excrement) [185.14-.26] |
–467.19+ | stammer (Motif: stuttering) |
467.20 | out of his silenced bladder since I bonded him off more as a |
–467.20+ | |
467.21 | friend and as a brother to try and grow a muff and canonise his |
–467.21+ | |
467.22 | dead feet down on the river airy by thinking himself into the |
–467.22+ | Riviera |
467.23 | fourth dimension and place the ocean between his and ours, |
–467.23+ | VI.B.17.070a (g): 'place ocean between self & —' |
–467.23+ | Robbins: Parnell: The Last Five Years 141: (quoting from a book by Parnell's sister, of Parnell and Katharine O'Shea) 'At first, and for long, Charles was as adamant to the fascinations of the charmer. Once he even placed the ocean between himself and temptation, but adverse fate played into the hands of the woman who so madly worshipped him' |
467.24 | the churchyard in the cloister of the depths, after he was capped |
–467.24+ | (expelled) |
467.25 | out of beurlads scoel for the sin against the past participle and |
–467.25+ | Irish Béarla: English language |
–467.25+ | Joyce worked for the Berlitz School in Trieste and Pola |
467.26 | earned the factitation of codding chaplan and being as homely |
–467.26+ | jactitation: false claim to be married to another |
–467.26+ | reputation |
–467.26+ | cutting chapel [444.32-.33] |
–467.26+ | Charlie Chaplin |
–467.26+ | Holy Ghost |
467.27 | gauche as swift B.A.A. Who gets twickly fullgets twice as alle- |
–467.27+ | French gauche: left (side) |
–467.27+ | Swift |
–467.27+ | learns quickly forgets quickly |
–467.27+ | German alle: all |
–467.27+ | French Allemagne: Germany |
467.28 | manden huskers. But the whacker his word the weaker our ears |
–467.28+ | Danish mand: man |
–467.28+ | Danish huske: remember |
–467.28+ | Earwicker |
467.29 | for auracles who parles parses orileys. Illstarred punster, lipster- |
–467.29+ | Latin auricula: outer ear |
–467.29+ | oracles |
–467.29+ | French parler: to talk, to speak |
–467.29+ | Persse O'Reilly |
–467.29+ | Ulster, Munster, Leinster and Connacht (Motif: 4 provinces) |
467.30 | ing cowknucks. 'Twas the quadra sent him and Trinity too. And |
–467.30+ | according to tradition, Saint Patrick landed in Ireland in A.D. 432 (Motif: 432) |
–467.30+ | Hostius Quadra: a rich freedman of Augustus's time, noted for his perverse sexual tastes (was killed by his disgusted servants) |
–467.30+ | Quadrangle, Christ Church College, Oxford [057.24] |
–467.30+ | Latin centum: one hundred |
–467.30+ | Trinity College, Cambridge (also Dublin) |
467.31 | he can cantab as chipper as any oxon ever I mood with, a tiptoe |
–467.31+ | VI.C.3.211d (b): '*C* Cantab (ile)' |
–467.31+ | Cantab.: of the University of Cambridge (mostly in titles and degrees; from Latin Cantabrigia: Cambridge) |
–467.31+ | Italian cantare: to sing |
–467.31+ | Slang chipper: lively |
–467.31+ | Oxon.: of the University of Oxford (mostly in titles and degrees; from Latin Oxonia: Oxford) |
–467.31+ | oxen |
–467.31+ | moo |
–467.31+ | met |
–467.31+ | VI.C.3.239b (b): '*C* sings on tip toe' |
–467.31+ | Colloquial tip-top: excellent |
467.32 | singer! He'll prisckly soon hand tune your Erin's ear for you, |
–467.32+ | Lucius Tarquinius Priscus: fifth legendary king of Rome (Cluster: 7 Kings of Rome) |
–467.32+ | pretty |
–467.32+ | Ireland's Eye: small island off Howth Head |
–467.32+ | Variants: {FnF, Vkg: ...you. p.p. a...} | {Png: ...you, p.p. a...} |
467.33 | p.p. a mimograph at a time, numan bitter, with his ancomartins |
–467.33+ | p.p.: pro parte: to the best of one's ability |
–467.33+ | p.p.: past participle [.25] |
–467.33+ | pp: pianissimo [468.01] |
–467.33+ | mimeograph: apparatus for reproducing pages |
–467.33+ | mimographer: writer of mimes |
–467.33+ | Numa Pompilius: second legendary king of Rome (Cluster: 7 Kings of Rome) |
–467.33+ | no man better |
–467.33+ | Ancus Marcius: fourth legendary king of Rome, a bridge builder (Cluster: 7 Kings of Rome) |
–467.33+ | Anglo-Irish Andrew Martin: prank |
–467.33+ | Latin encomia: praises, eulogies |
467.34 | to read the road roman with false steps ad Pernicious from |
–467.34+ | Roman Road (Via Romana) |
–467.34+ | Paul Aler: Gradus ad Parnassum ('Steps to Parnassus'): a textbook of Latin prosody |
467.35 | rhearsilvar ormolus to torquinions superbers while I'm far |
–467.35+ | Rhea Silvia: the mother of Romulus and Remus |
–467.35+ | ormolu: gilded metal ware |
–467.35+ | Romulus: founder and first legendary king of Rome (Cluster: 7 Kings of Rome) |
–467.35+ | Lucius Tarquinius Superbus: seventh and last legendary king of Rome (Cluster: 7 Kings of Rome) |
467.36 | away from wherever thou art serving my tallyhos and tullying |
–467.36+ | Servius Tullius: sixth legendary king of Rome (Cluster: 7 Kings of Rome) |
–467.36+ | Tullus Hostilius: third legendary king of Rome (Cluster: 7 Kings of Rome) |
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