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Collection last updated: | May 20 2024 |
Engine last updated: | Feb 18 2024 |
Finnegans Wake lines: | 36 |
Elucidations found: | 167 |
018.01 | Jute. — 'Zmorde! |
---|---|
–018.01+ | Archaic zounds!: God's wounds! (mild oath; hence, God's death or God's shit) |
–018.01+ | German Mord: murder |
–018.01+ | Italian morte: death |
–018.01+ | French merde!: shit! |
018.02 | Mutt. — Meldundleize! By the fearse wave behoughted. Des- |
–018.02+ | Wagner: Tristan und Isolde (Tristan and Iseult): Liebestod: 'Mild und leise wie er lächelt' (German 'Gentle and soft how he smiles') |
–018.02+ | Thomas Moore: Irish Melodies: song Desmond's Song: 'By the Feal's wave benighted' |
–018.02+ | Italian onda: wave |
–018.02+ | first wife |
–018.02+ | fierce |
–018.02+ | German Ferse: heel |
–018.02+ | German behauptet: asserted, claimed |
–018.02+ | German behütet: sheltered, protected |
018.03 | pond's sung. And thanacestross mound have swollup |
–018.03+ | Slough of Despond in Bunyan's The Pilgrim's Progress |
–018.03+ | Greek thanatos: death |
–018.03+ | that ancestral |
–018.03+ | Greek kestreus: hungry |
–018.03+ | swollen up |
–018.03+ | swallowed |
018.04 | them all. This ourth of years is not save brickdust |
–018.04+ | this earth of ours |
–018.04+ | the Hebrew words for earth (adamah), man (adam) and red (adom) all share the same etymological root (ADM) |
–018.04+ | earth, years [.23] [.31] |
–018.04+ | (red bricks, red earth) |
–018.04+ | Genesis 3:19: 'for dust thou art, and unto dust shalt thou return' |
018.05 | and being humus the same roturns. He who runes |
–018.05+ | Latin humus: earth, soil |
–018.05+ | human |
–018.05+ | Motif: new/same [.06] |
–018.05+ | German rot: red |
–018.05+ | Latin rota: wheel |
–018.05+ | turns |
–018.05+ | phrase he that runs may read: it is easily readable (based on a misquote of Habakkuk 2:2: 'Write the vision, and make it plain upon tables: that he that readeth it may run over it') |
018.06 | may rede it on all fours. O'c'stle, n'wc'stle, tr'c'stle, |
–018.06+ | German Rede: speech |
–018.06+ | (rhythm of a children's game) [.06-.07] [555.13-.15] |
–018.06+ | Motif: 4-stage Viconian cycle |
–018.06+ | one, two, three (the Dublin coat of arms shows three burning castles) |
–018.06+ | Motif: old/new [.05] |
–018.06+ | Nautical fo'c'sle: forecastle, the fore part of a ship |
–018.06+ | Newcastle, Crumlin: two of Henry II's four royal manors near Dublin [555.13-.14] |
018.07 | crumbling! Sell me sooth the fare for Humblin! Hum- |
–018.07+ | Obsolete sell: to give |
–018.07+ | tell |
–018.07+ | Archaic sooth: truthfully, truly |
–018.07+ | Dublin |
–018.07+ | holiday fair [207.25] [472.22] |
018.08 | blady Fair. But speak it allsosiftly, moulder! Be in |
–018.08+ | also softly, mister |
–018.08+ | Irish Bí i bhur thost!: be quiet |
018.09 | your whisht! |
–018.09+ | Anglo-Irish whisht!: be silent!, hush! |
018.10 | Jute. — Whysht? |
–018.10+ | why [.12] [.14] |
018.11 | Mutt. — The gyant Forficules with Amni the fay. |
–018.11+ | (because they are here) |
–018.11+ | forficula: a genus of earwigs (*E*) |
–018.11+ | Latin amnis: river |
–018.11+ | Anna (*A*) |
–018.11+ | Morgana le Fay: King Arthur's half-sister and a sorceress |
018.12 | Jute. — Howe? |
–018.12+ | how [.10] [.14] |
–018.12+ | Dialect howe: tumulus, barrow, a mound erected in ancient times over a grave |
–018.12+ | Howe: site of the Norse parliament (Thingmote) in Dublin during Viking occupation [.16] [.21] |
018.13 | Mutt. — Here is viceking's graab. |
–018.13+ | Viceroy |
–018.13+ | Viking |
–018.13+ | Ibsen: all plays: The Viking's Barrow |
–018.13+ | German Grab: grave (*F*) |
018.14 | Jute. — Hwaad! |
–018.14+ | Old English hwaet: what, lo (used to introduce a statement) |
–018.14+ | Danish hvad: what [.10] [.12] |
018.15 | Mutt. — Ore you astoneaged, jute you? |
–018.15+ | Norwegian øre: ear (Motif: ear/eye) [.16] |
–018.15+ | are you astonished |
–018.15+ | Stone Age |
018.16 | Jute. — Oye am thonthorstrok, thing mud. |
–018.16+ | Norwegian øye: eye [.15] |
–018.16+ | I am thunderstruck |
–018.16+ | Thor, the Norse god of thunder, was the patron of the Scandinavian Thing |
–018.16+ | Ragnarok: in Norse mythology, a future cataclysmic series of events, including a great battle in which many gods will die (e.g. Odin, Thor, Loki), after which the world will begin anew (literally 'Fate of the Gods' or 'Twilight of the Gods' in Old Norse) [017.15] [019.04] |
–018.16+ | Thingmote [.12] |
018.17 | (Stoop) if you are abcedminded, to this claybook, what curios |
–018.17+ | {{Synopsis: I.1.2A.A: [018.17-019.19]: the book itself — a hoard of alphabets, snakes, etc.}} |
–018.17+ | Motif: Stop, please stop... [.18] [019.02] [019.10] |
–018.17+ | VI.B.15.159f (o): 'abced' |
–018.17+ | Motif: alphabet sequence: ABCD |
–018.17+ | absent-minded |
–018.17+ | (literal-minded) |
–018.17+ | (*F*) |
–018.17+ | VI.B.15.156p (o): 'claybook' |
–018.17+ | Clodd: The Story of the Alphabet 89: (of cuneiform writing) 'the abundant clay of the alluvial country afforded material whose convenience and permanence brought it into general use. Upon this the characters were impressed by a reed or square-shaped stylus, the clay-books being afterwards baked or sun-dried' |
–018.17+ | roman à clef: a novel about real people under the guise of fiction (literally French 'novel with a key') |
–018.17+ | Greek kurios: lord |
018.18 | of signs (please stoop), in this allaphbed! Can you rede (since |
–018.18+ | stop [.17] |
–018.18+ | VI.B.15.159b (o): 'alaphbet' |
–018.18+ | Clodd: The Story of the Alphabet 122: (quoting Canon Taylor) 'the very word ALPHABET... is obviously derived from the names of the two letters alpha and beta... which are plainly identical with the names aleph and beth borne by the corresponding Semitic characters' |
–018.18+ | (river bed) |
–018.18+ | German reden: to speak |
–018.18+ | read |
018.19 | We and Thou had it out already) its world? It is the same told |
–018.19+ | Lane-Poole: The Speeches & Table-Talk of the Prophet Mohammad xl: 'the "we" (God), and "thou" (Mohammad), and "ye" (the audience), of the Koran' |
–018.19+ | word |
–018.19+ | (Motif: Tale told of Shaun or Shem) |
018.20 | of all. Many. Miscegenations on miscegenations. Tieckle. They |
–018.20+ | Daniel 5:25-28: 'MENE, MENE, TEKEL, UPHARSIN... Thy kingdom is divided, and given to the Medes and Persians' (the writing on the wall at Belshazzar's feast) [.20-.22] |
–018.20+ | Ludwig Tieck: German romantic novelist |
018.21 | lived und laughed ant loved end left. Forsin. Thy thingdome is |
–018.21+ | Motif: 4-stage Viconian cycle (?) |
–018.21+ | German und: and |
–018.21+ | and, and, and |
–018.21+ | Latin forsan: perhaps |
–018.21+ | Norwegian forsyn: providence |
–018.21+ | sin |
–018.21+ | Thingmote [.12] |
018.22 | given to the Meades and Porsons. The meandertale, aloss and |
–018.22+ | meander (from the Meander river in Greece, noted for its winding course) [019.25] |
–018.22+ | Neanderthal Man |
–018.22+ | tale |
–018.22+ | alas |
–018.22+ | loss, gain |
018.23 | again, of our old Heidenburgh in the days when Head-in-Clouds |
–018.23+ | German Heiden: heathen |
–018.23+ | Heidelberg Man (Old Stone Age) |
–018.23+ | Edinburgh |
–018.23+ | days, earth [.04] [.31] |
–018.23+ | HCE (Motif: HCE) |
–018.23+ | Odin |
–018.23+ | (in James Hogg's The Private Memoirs and Confessions of a Justified Sinner, which takes place in Edinburgh, the hero sees his shadow magnified enormously as it is cast on the clouds) |
018.24 | walked the earth. In the ignorance that implies impression that |
–018.24+ | after enlightenment, Buddha walked the world |
–018.24+ | (rhythm of nursery rhyme The House That Jack Built) [.24-.28] |
–018.24+ | the Buddhistic Round of life and death is seen as a twelve-fold chain of dependencies: ignorance / impression / knowledge / name-and-form / the-six-senses / sensation / desire / attachment / existence / birth / old-age-and-death / ignorance (or ignorance / motivation / consciousnes / name-and-form / the-six-senses / sense-stimulation / sense-experience / grasping / possessiveness / coming-to-be / birth / old-age-and-death) |
018.25 | knits knowledge that finds the nameform that whets the wits that |
–018.25+ | |
018.26 | convey contacts that sweeten sensation that drives desire that |
–018.26+ | |
018.27 | adheres to attachment that dogs death that bitches birth that en- |
–018.27+ | |
018.28 | tails the ensuance of existentiality. But with a rush out of his |
–018.28+ | during the enlightenment of Buddha, a reed grew from his navel |
–018.28+ | Joyce: Ulysses.3.38: 'Gaze in your omphalos. Hello! Kinch here. Put me on to Edenville' |
018.29 | navel reaching the reredos of Ramasbatham. A terricolous vively- |
–018.29+ | reredos: an ornamental screen covering the wall at the back of an altar |
–018.29+ | Anglo-Irish rere: rear |
–018.29+ | French dos: back (of a person or animal) |
–018.29+ | Rama: an avatar of Vishnu in Hindu mythology |
–018.29+ | Ramsbottom: town, England |
–018.29+ | ram's bottom |
–018.29+ | Latin terricola: earth-dweller |
–018.29+ | Modern Greek vivlio: book |
–018.29+ | lively |
018.30 | onview this; queer and it continues to be quaky. A hatch, a celt, |
–018.30+ | Modern Greek vios: life |
–018.30+ | Motif: The Letter: Dear, and it goes on to |
–018.30+ | earthquake [.29] |
–018.30+ | HCE (Motif: HCE) |
–018.30+ | Obsolete hatch: hatchet |
–018.30+ | celt: a prehistoric chisel |
018.31 | an earshare the pourquose of which was to cassay the earthcrust at |
–018.31+ | Obsolete ear: a ploughing; to plough (hence, ploughshare) |
–018.31+ | (*E* the ploughshare, *A* the earth) |
–018.31+ | VI.B.15.123d (b): 'for the poorquoise of' |
–018.31+ | French pourquoi: why |
–018.31+ | purpose |
–018.31+ | French casser: to break |
–018.31+ | CEH (Motif: HCE) |
–018.31+ | assay |
–018.31+ | earth, hours [.04] [.23] |
018.32 | all of hours, furrowards, bagawards, like yoxen at the turnpaht. |
–018.32+ | furrow |
–018.32+ | forwards, backwards |
–018.32+ | Motif: A/O |
–018.32+ | bag |
–018.32+ | Greek boustrophêdon: turning like oxen (in ploughing); writing with lines read left-right, then right-left, etc. (the second sentence is the first read backwards) [.33-.34] |
–018.32+ | yoked oxen |
–018.32+ | turnpath |
018.33 | Here say figurines billycoose arming and mounting. Mounting and |
–018.33+ | (*V* and *C*) |
–018.33+ | phrase billing and cooing |
–018.33+ | bellicose: warlike |
018.34 | arming bellicose figurines see here. Futhorc, this liffle effingee is for |
–018.34+ | VI.B.15.159g (o): 'futhorc' |
–018.34+ | Clodd: The Story of the Alphabet 201: 'The primitive Gothic alphabet is named, on the acrologic principle, "futhorc," after the first six letters, f, u, th, o, r, c' |
–018.34+ | further |
–018.34+ | (*I*) |
–018.34+ | Liffey river |
–018.34+ | little effigy |
–018.34+ | F and G |
–018.34+ | German fing: caught |
018.35 | a firefing called a flintforfall. Face at the eased! O I fay! Face at the |
–018.35+ | fire-lighting flint |
–018.35+ | Danish forfalde: fall into decay |
–018.35+ | German Vorfall: incident |
–018.35+ | face to the east, face to the west |
–018.35+ | say |
018.36 | waist! Ho, you fie! Upwap and dump em, Face to Face! When a |
–018.36+ | upwards and down them (Motif: up/down) |
–018.36+ | Motif: Up, guards, and at them! |
–018.36+ | VI.B.6.089e (r): 'dump' |
–018.36+ | face to face |
–018.36+ | (three pairs of rotated F's) [121.03] [121.07] [266.22] |
–018.36+ | (*E* and *M*) |
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