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| Collection last updated: | Apr 6 2024 |
| Engine last updated: | Feb 18 2024 |
| Finnegans Wake lines: | 36 |
| Elucidations found: | 118 |
| 032.01 | on the road? And shall Nohomiah be our place like? Yea, Mulachy |
|---|---|
| –032.01+ | Variants: {FnF, Vkg, JCM: ...road? And...} | {Png: ...road. And...} |
| –032.01+ | John Howard Payne: song Home Sweet Home: 'There's no place like home' |
| –032.01+ | Nehemiah rebuilt Jerusalem after Captivity (Nehemiah) |
| –032.01+ | Bohemia |
| –032.01+ | two Irish high kings were named Malachy |
| –032.01+ | Hebrew melekh: king |
| –032.01+ | Malachi Mulligan (Joyce: Ulysses) |
| 032.02 | our kingable khan? We shall perhaps not so soon see. Pinck |
| –032.02+ | Variants: {FnF, Vkg, JCM: ...kingable...} | {Png: ...Kingable...} |
| –032.02+ | Motif: Cain/Abel |
| –032.02+ | we shall see [031.33] |
| –032.02+ | Motif: Pingpong, the bell for Sechseläuten, and concepit de Saint-Esprit [.02-.04] |
| 032.03 | poncks that bail for seeks alicence where cumsceptres with scen- |
| –032.03+ | German versuchen: to try |
| –032.03+ | Sechseläuten: Zurich spring festival, celebrating the end of winter, on the Monday following the vernal equinox, by church bell ringing at 6 p.m. and by burning of an exploding effigy of Böögg, a personification of winter (Swiss German Sechseläuten: six o'clock pealing of bells) |
| –032.03+ | a licence |
| –032.03+ | Latin cum sceptris: with sceptres |
| –032.03+ | prayer Angelus: 'et concepit de Spiritu Sancto' (Latin 'and she conceived of the Holy Ghost') |
| –032.03+ | scent |
| –032.03+ | French Saint-Esprit: Holy Ghost |
| –032.03+ | centaurs |
| 032.04 | taurs stay. Bear in mind, son of Hokmah, if so be you have me- |
| –032.04+ | Hebrew khokhmah: wisdom; in Kabbalah, the name of the second Sephira, divine wisdom |
| –032.04+ | Hebrew emeth: truth |
| –032.04+ | Hebrew metheg: bit (for a horse); a typographical mark (used in the Bible) |
| –032.04+ | phrase method in madness (William Shakespeare: Hamlet II.2.203) |
| 032.05 | theg in your midness, this man is mountain and unto changeth |
| –032.05+ | in your midst |
| –032.05+ | Genesis 3:19: 'unto dust shalt thou return' |
| 032.06 | doth one ascend. Heave we aside the fallacy, as punical as finikin, |
| –032.06+ | Archaic doth: does |
| –032.06+ | Punic, Phoenician (two ancient Mediterranean civilisations) |
| –032.06+ | Archaic punic: treacherous, perfidious (from Punic: Carthaginian) |
| –032.06+ | (pun-like) |
| –032.06+ | Archaic finikin: finicky, fastidious, fussy about trifling details |
| –032.06+ | Finnegan |
| 032.07 | that it was not the king kingself but his inseparable sisters, un- |
| –032.07+ | kingself [036.35] |
| –032.07+ | himself |
| –032.07+ | *IJ* |
| 032.08 | controllable nighttalkers, Skertsiraizde with Donyahzade, who |
| –032.08+ | nightwalkers |
| –032.08+ | The Book of the Thousand Nights and a Night: features Shahrazad and her sister Dunyazad regaling King Shahryar with their endless night-time story-cycle, thus distracting him from his design to ravish and slay a maiden a night |
| –032.08+ | skirts are raised |
| –032.08+ | Italian scherzi: jokes |
| –032.08+ | Donizetti: an Italian composer |
| 032.09 | afterwards, when the robberers shot up the socialights, came down |
| –032.09+ | Archaic rapparee: an Irish robber or irregular soldier |
| –032.09+ | Motif: up/down |
| –032.09+ | Colloquial socialite: a person prominent in fashionable society |
| –032.09+ | Variants: {FnF, Vkg, JCM: ...socialights, came...} | {Png: ...socialights came...} |
| –032.09+ | John 1:9: 'That was the true Light, which lighteth every man that cometh into the world' |
| 032.10 | into the world as amusers and were staged by Madame Sudlow |
| –032.10+ | Slang amuser: a robber who throws snuff into his victim's eyes |
| –032.10+ | muses |
| –032.10+ | Bessie Sudlow: the stage name of Barbara Johnstone, 19th century English actress and the wife of Michael Gunn |
| 032.11 | as Rosa and Lily Miskinguette in the pantalime that two pitts |
| –032.11+ | *IJ* |
| –032.11+ | Mistinguett: world-famous 20th century French actress and singer (born Jeanne Florentine Bourgeois) |
| –032.11+ | pantomime (pantomime, most of which are based on well-known folktales) |
| 032.12 | paythronosed, Miliodorus and Galathee. The great fact emerges |
| –032.12+ | phrase pay through the nose |
| –032.12+ | patronised |
| –032.12+ | Greek miliodôros: of a thousand gifts |
| –032.12+ | Greek meli: honey |
| –032.12+ | Greek gala: milk |
| –032.12+ | Galatea: in Greek mythology, one of the sea nymphs (also Pygmalion's wife) |
| –032.12+ | VI.B.3.124f (b): 'the fact remains' |
| –032.12+ | Mordell: The Erotic Motive in Literature 164: 'Granting that this is so, the fact still remains that there is much left unsaid by the poets' |
| 032.13 | that after that historic date all holographs so far exhumed ini- |
| –032.13+ | VI.B.25.144l (b): 'holograph' |
| 032.14 | tialled by Haromphrey bear the sigla H.C.E. and while he was |
| –032.14+ | Harold-Humphrey |
| –032.14+ | Hungarian három: three |
| 032.15 | only and long and always good Dook Umphrey for the hunger- |
| –032.15+ | Thomas Nashe: Works III.147: 'To his worthy good patron, Lustie Humfrey, according as the townsmen doo christen him, little Numps, as the Nobilitie and Courtiers do name, and Honest Humfrey as all...' |
| –032.15+ | phrase dine with good Duke Humphrey: go dinnerless, go hungry |
| –032.15+ | Hungarian |
| –032.15+ | hungry, lean |
| 032.16 | lean spalpeens of Lucalizod and Chimbers to his cronies it was |
| –032.16+ | Anglo-Irish spalpeen: landless labourer, itinerant farm labourer, rascal (from Irish spailpín) |
| –032.16+ | VI.B.10.033f (b): 'Lucalizod' |
| –032.16+ | Lucan, Chapelizod (two villages on the Liffey west of Dublin) |
| 032.17 | equally certainly a pleasant turn of the populace which gave him |
| –032.17+ | ECH (Motif: HCE) |
| –032.17+ | phrase turn of events: new development, set of circumstances |
| –032.17+ | phrase turn of phrase: expression, figure of speech |
| 032.18 | as sense of those normative letters the nickname Here Comes |
| –032.18+ | Here Comes Everybody: nickname of Hugh Culling Eardly (H.C.E.) Childers, 19th century British politician, known for his girth (Motif: HCE; *E*) [535.34] |
| 032.19 | Everybody. An imposing everybody he always indeed looked, |
| –032.19+ | |
| 032.20 | constantly the same as and equal to himself and magnificently well |
| –032.20+ | CEH (Motif: HCE) |
| –032.20+ | same as and equal to himself [300.04] [596.24] |
| –032.20+ | VI.B.3.121e (b): 'magnificently well' |
| 032.21 | worthy of any and all such universalisation, every time he con- |
| –032.21+ | |
| 032.22 | tinually surveyed, amid vociferatings from in front of Accept these |
| –032.22+ | |
| 032.23 | few nutties! and Take off that white hat!, relieved with Stop his Grog |
| –032.23+ | phrase take off that white hat: an obscure 19th century abusive catch-phrase (Motif: White hat) |
| 032.24 | and Put It in the Log and Loots in his (bassvoco) Boots, from good |
| –032.24+ | loosen his boots (Joyce: Ulysses.15.926: 'Loosen his boots') |
| –032.24+ | pantomime Puss in Boots |
| –032.24+ | Italian bassa voce: low voice |
| –032.24+ | Ido basvoco: bass |
| –032.24+ | phrase from start to finish: entirely, throughout |
| 032.25 | start to happy finish the truly catholic assemblage gathered together |
| –032.25+ | |
| 032.26 | in that king's treat house of satin alustrelike above floats and foot- |
| –032.26+ | King Street (address of Gaiety Theatre, Dublin) |
| –032.26+ | theatre house |
| –032.26+ | Satan: a Puritan term for the theatre |
| –032.26+ | floats: footlights, lights at the front of a theatre stage |
| 032.27 | lights from their assbawlveldts and oxgangs unanimously to clap- |
| –032.27+ | Anglo-Irish phrase within the bawl of an ass: near, near enough |
| –032.27+ | asphalt |
| –032.27+ | veldt: open bushy country in South Africa (from Afrikaans) |
| –032.27+ | Obsolete oxgang: a measure of land, varying from ten to eighteen acres |
| –032.27+ | clap, applaud |
| 032.28 | plaud (the inspiration of his lifetime and the hits of their careers) |
| –032.28+ | |
| 032.29 | Mr Wallenstein Washington Semperkelly's immergreen tourers |
| –032.29+ | Variants: {FnF, Vkg, JCM: ...Mr Wallenstein...} | {Png: ...Mr. Wallenstein...} |
| –032.29+ | Wallenstein: 17th century Bohemian soldier and statesman |
| –032.29+ | W.W. Kelly's touring company performed W.G. Wills: A Royal Divorce [.32-.33] |
| –032.29+ | Latin semper: German immer: always, ever |
| –032.29+ | American kelly: a bright green colour, popularly associated with Ireland (usually 'kelly green' in full) |
| –032.29+ | evergreen |
| 032.30 | in a command performance by special request with the courteous |
| –032.30+ | command performance: a theatrical or musical performance given by royal command or sovereign request |
| 032.31 | permission for pious purposes the homedromed and enliventh |
| –032.31+ | Latin pura et pia bella: pure and pious wars (a phrase used by Vico to refer to religious wars of the heroic age) [014.09] |
| –032.31+ | hundred and eleventh (Motif: 111) |
| –032.31+ | humdrum |
| –032.31+ | -drome: -running [.32] |
| 032.32 | performance of the problem passion play of the millentury, running |
| –032.32+ | Variants: {FnF, Vkg, JCM: ...of the problem...} | {Png: ...of problem...} |
| –032.32+ | problem play: a realistic play dealing with contentious social issues (especially associated with Ibsen) |
| –032.32+ | passion play: a play re-enacting the Passion of Christ |
| –032.32+ | W.G. Wills: A Royal Divorce was touted as 'the most successful historical play of the century' when toured by Kelly's company in the early 20th century [.29] [.33] |
| –032.32+ | millennium, century |
| 032.33 | strong since creation, A Royal Divorce, then near the approach |
| –032.33+ | (creation of the universe; creation of the play) |
| –032.33+ | W.G. Wills: A Royal Divorce (a melodrama about Napoleon's divorce from Josephine to marry Marie Louise, co-authored with G.G. Collingham; the play was adapted into a film twice (1923 and 1938), both under the original title) [.29] [.32] |
| 032.34 | towards the summit of its climax, with ambitious interval band |
| –032.34+ | at the success of Limerick soprano Catherine Hayes, her mother said 'I'm at the summit of my climax' |
| 032.35 | selections from The Bo' Girl and The Lily on all horserie show |
| –032.35+ | VI.B.3.136e (b): 'a selection of —' |
| –032.35+ | Balfe: The Bohemian Girl (opera) |
| –032.35+ | Benedict: The Lily of Killarney (opera based on Boucicault: The Colleen Bawn) |
| –032.35+ | horse show (Dublin hosts a famous one annually since the mid 19th century) |
| –032.35+ | hosiery: stockings, socks |
| –032.35+ | Colloquial leg-show: a theatrical production in which dancing girls display their legs |
| 032.36 | command nights from his viceregal booth (his bossaloner is ceil- |
| –032.36+ | John Wilkes Booth: 19th century American actor, from a family of prominent actors, who assassinated President Lincoln in the presidential box at Ford's Theatre during a play |
| –032.36+ | (his hat hangs slightly below their hoods) |
| –032.36+ | Borsalino: a trademarked fedora hat made by the Italian company Borsalino (Joyce wore one) |
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