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Collection last updated: | Apr 6 2024 |
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Finnegans Wake lines: | 36 |
Elucidations found: | 57 |
109.01 | Luckily there is another cant to the questy. Has any fellow, of |
---|---|
–109.01+ | {{Synopsis: I.5.1.G: [109.01-109.36]: the importance of the envelope — compared to a woman's clothing}} |
–109.01+ | Dutch kant: side |
–109.01+ | Dutch kwestie: question, affair |
109.02 | the dime a dozen type, it might with some profit some dull even- |
–109.02+ | |
109.03 | ing quietly be hinted — has any usual sort of ornery josser, flat- |
–109.03+ | ordinary |
–109.03+ | Slang josser: chap |
109.04 | chested fortyish, faintly flatulent and given to ratiocination by |
–109.04+ | Motif: -ation (*O*; 4 times) [.04-.05] |
–109.04+ | ratiocination: process of reasoning |
109.05 | syncopation in the elucidation of complications, of his greatest |
–109.05+ | Variants: {FnF, Vkg, JCM: ...complications, of...} | {Png: ...complications of...} |
109.06 | Fung Yang dynasdescendanced, only another the son of, in fact, |
–109.06+ | Feng-Yang: birthplace of Hung Wu, the founder of the Ming dynasty |
–109.06+ | Finnegan |
–109.06+ | Kung family, descendants of Confucius |
–109.06+ | dynasty |
–109.06+ | Variants: {FnF, Vkg, JCM: ...dynasdescendanced...} | {Png: ...dynasdescendance...} |
–109.06+ | Crow: The Story of Confucius, Master Kung 104: (Lao-tsze told Confucius) 'He who is only the son of another has nothing for himself, for he owes all to his father' |
–109.06+ | Variants: {FnF, Vkg, JCM: ...another the son of...} | {Png: ...the son of another...} |
109.07 | ever looked sufficiently longly at a quite everydaylooking stamped |
–109.07+ | Crépieux-Jamin: Les Éléments de l'Écriture des Canailles 5-8: stresses the importance of examining the inscription of the address on the envelope as part of a graphological analysis of a love letter to compensate for the bias caused by the emotional state of the individual writing the letter |
109.08 | addressed envelope? Admittedly it is an outer husk: its face, in |
–109.08+ | |
109.09 | all its featureful perfection of imperfection, is its fortune: it ex- |
–109.09+ | Crow: The Story of Confucius, Master Kung 49: 'A Chinese historian has pointed out that though almost all men are imperfect in one or two of their features, Master Kung even in this showed his superiority for he was imperfect in all' |
–109.09+ | nursery rhyme Where Are You Going To, My Pretty Maid?: 'My face is my fortune, sir, she said' |
109.10 | hibits only the civil or military clothing of whatever passion- |
–109.10+ | VI.B.3.153c (r): 'civil and military tailor' |
109.11 | pallid nudity or plaguepurple nakedness may happen to tuck it- |
–109.11+ | purple [111.02] |
109.12 | self under its flap. Yet to concentrate solely on the literal sense or |
–109.12+ | |
109.13 | even the psychological content of any document to the sore |
–109.13+ | |
109.14 | neglect of the enveloping facts themselves circumstantiating it is |
–109.14+ | (facts about the envelope) |
109.15 | just as hurtful to sound sense (and let it be added to the truest |
–109.15+ | Motif: 5 senses [.15-.29] |
–109.15+ | Motif: sound/sense |
–109.15+ | (sense of hearing) [.15] |
–109.15+ | (common sense) |
109.16 | taste) as were some fellow in the act of perhaps getting an intro |
–109.16+ | (sense of taste) [.15] |
–109.16+ | introduction (to a lady) |
109.17 | from another fellow turning out to be a friend in need of his, say, |
–109.17+ | proverb A friend in need is a friend indeed: a true friend is revealed only in difficult times |
109.18 | to a lady of the latter's acquaintance, engaged in performing the |
–109.18+ | |
109.19 | elaborative antecistral ceremony of upstheres, straightaway to run |
–109.19+ | Yen Ying, Tsi minister, deriding Confucius: 'It would take generations to exhaust all that he knows about the ceremonies of such a simple thing as going up and down stairs' |
–109.19+ | Yeats: Blood and the Moon: 'my ancestral stair' |
109.20 | off and vision her plump and plain in her natural altogether, pre- |
–109.20+ | Yeats: A Vision |
–109.20+ | (sense of sight) [.15] |
–109.20+ | Obsolete in one's naturals: Colloquial in the altogether: in the nude, fully naked |
109.21 | ferring to close his blinkhard's eyes to the ethiquethical fact that |
–109.21+ | blackguard's |
–109.21+ | blinkered |
–109.21+ | ethical |
–109.21+ | etiquette vital in ancient Chinese society (frequently mentioned in Crow: The Story of Confucius, Master Kung) |
109.22 | she was, after all, wearing for the space of the time being some |
–109.22+ | Motif: time/space |
109.23 | definite articles of evolutionary clothing, inharmonious creations, |
–109.23+ | definite article ('some' is an indefinite article) |
–109.23+ | phrase articles of clothing: clothes |
–109.23+ | evolution, creation (the two major contrasting explanations for life on earth) |
–109.23+ | the word inharmonious (French inharmonieuse) appears dozens of times throughout Crépieux-Jamin: Les Éléments de l'Écriture des Canailles in reference to the writing of the intellectually and morally "inferior" [188.26] |
109.24 | a captious critic might describe them as, or not strictly necessary |
–109.24+ | captious: apt to find fault |
–109.24+ | Our Captious Critic: a long-running column (originally penned and illustrated by Wallis Mackay, an Irishman) in 'The Illustrated Sporting and Dramatic News' (1874-1945) dedicated to theatre reviews (including occasional references to the leading ladies' dress) |
109.25 | or a trifle irritating here and there, but for all that suddenly full |
–109.25+ | certainly |
109.26 | of local colour and personal perfume and suggestive, too, of so |
–109.26+ | local colour, personal perfume [051.26] |
–109.26+ | phrase local colour: the vivid representation in art or writing of characteristic features of a particular region (Lewis: Time and Western Man 99: (of Joyce: Ulysses) 'the local colour, or locally-coloured material, that was scraped together into a big variegated heap to make Ulysses') |
–109.26+ | (sense of smell) [.15] |
109.27 | very much more and capable of being stretched, filled out, if need |
–109.27+ | |
109.28 | or wish were, of having their surprisingly like coincidental parts |
–109.28+ | |
109.29 | separated don't they now, for better survey by the deft hand of |
–109.29+ | left |
–109.29+ | (sense of touch) [.15] |
109.30 | an expert, don't you know? Who in his heart doubts either that |
–109.30+ | Mr Best in Joyce: Ulysses keeps saying: 'don't you know' |
–109.30+ | Variants: {FnF, Vkg, JCM: ...know? Who...} | {Png: ...know. Who...} |
109.31 | the facts of feminine clothiering are there all the time or that the |
–109.31+ | Carlyle: Sartor Resartus, ch. 10: 'For our purposes the simple fact that such a Naked World is possible, nay actually exists (under the Clothed One) will be suficient' |
–109.31+ | clothiering: the trade of a clothier (a person who either makes or sells cloth) |
–109.31+ | clothing |
109.32 | feminine fiction, stranger than the facts, is there also at the same |
–109.32+ | proverb Fact is stranger than fiction: real life events can sometimes be more bizarre than imagined ones |
109.33 | time, only a little to the rere? Or that one may be separated from |
–109.33+ | Anglo-Irish rere: rear |
109.34 | the other? Or that both may then be contemplated simultaneously? |
–109.34+ | |
109.35 | Or that each may be taken up and considered in turn apart from |
–109.35+ | |
109.36 | the other? |
–109.36+ | |
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