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Collection last updated: | May 20 2024 |
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Finnegans Wake lines: | 23 |
Elucidations found: | 77 |
125.01 | to the R.Q. with: shoots off in a hiss, muddles up in a mussmass |
---|---|
–125.01+ | SH + EM = SHEM |
–125.01+ | mishmash |
125.02 | and his whole's a dismantled noondrunkard's son. Howbeit we |
–125.02+ | Noah (drunk, Genesis 9:21) |
–125.02+ | Comyn: The Youthful Exploits of Fionn 35: 'but, howbeit, we heard not a son to leave by him (that he left a son)' |
125.03 | heard not a son of sons to leave by him to oceanic society in his |
–125.03+ | Song of Songs |
–125.03+ | Comyn: The Youthful Exploits of Fionn 2: 'This Text first published by Dr. O'Donovan (with a translation) for the Ossianic Society, 1859' |
125.04 | old man without a thing in his ignorance, Tulko MacHooley. |
–125.04+ | Comyn: The Youthful Exploits of Fionn 40: 'Crimall (in his) old man' (i.e. old age) |
–125.04+ | Comyn: The Youthful Exploits of Fionn 42: 'it was in prophecy to him (the) salmon of Feic to eat, and without a thing in his ignorance at all (that he should know everything) then' |
–125.04+ | Comyn: The Youthful Exploits of Fionn 35: 'Tulcha, son of Cumhall' (Finn's elder brother) |
125.05 | And it was thus he was at every time, that son, and the other |
–125.05+ | Comyn: The Youthful Exploits of Fionn 38: (of Finn) 'So (he) was on his road till (he) heard (the) cry of [the] one woman. He goes towards her till he saw the woman, and (there) were tears of blood every [with] time (at one time), and (there) was a vomiting of blood the other time (i.e. every second turn), till her mouth was red' |
125.06 | time, the day was in it and after the morrow Diremood is the |
–125.06+ | Anglo-Irish the day was in it: that day, on that day |
–125.06+ | Comyn: The Youthful Exploits of Fionn 30: 'after (on) the morrow' |
–125.06+ | Diarmaid MacMurrough |
–125.06+ | Diarmuid eloped with Grania, Finn's betrothed |
–125.06+ | Irish an ainm atá ar fear scríobhtha na saltrach: is the name of the man who wrote the psalter (literally 'is the name is on the writing man of the psalter') |
125.07 | name is on the writing chap of the psalter, the juxtajunctor of a |
–125.07+ | Comyn: The Youthful Exploits of Fionn 30: 'What name is on thee?' |
–125.07+ | Comyn: The Youthful Exploits of Fionn 1: (title page) '(FROM THE "SALTAIR OF CASHEL")' (i.e. Irish text from the Psalter of Cashel) |
–125.07+ | Latin 'juxtajunctor': harnesser-together |
125.08 | dearmate and he passing out of one desire into its fellow. The |
–125.08+ | Diarmuid [.06] |
–125.08+ | Comyn: The Youthful Exploits of Fionn 25: (of Finn's mother) '(she) went out of each desert into its fellow (from one to the other)' |
125.09 | daughters are after going and loojing for him, Torba's nice- |
–125.09+ | Comyn: The Youthful Exploits of Fionn 26: 'The daughter (woman)' |
–125.09+ | looking |
–125.09+ | Comyn: The Youthful Exploits of Fionn 19: 'Torba, daughter of Eochaman of (the) Ernaans [it is she] was wife to Cumhall' (one of Finn's father's wives) |
125.10 | lookers of the fair neck. Wanted for millinary servance to |
–125.10+ | Comyn: The Youthful Exploits of Fionn 19: 'Morna (of the) fair-neck' (one of the names of a warrior whose son would kill Finn's father) |
–125.10+ | military service |
125.11 | olderly's person by the Totty Askinses. Formelly confounded |
–125.11+ | elderly |
–125.11+ | Dublin Slang totty: girl; prostitute |
–125.11+ | Colloquial Tommy Atkins: a private in the British army [281.L04] |
–125.11+ | German formell: formal |
–125.11+ | formerly |
125.12 | with amother. Maybe growing a moustache, did you say, with |
–125.12+ | a mother |
–125.12+ | another |
125.13 | an adorable look of amuzement? And uses noclass billiardhalls |
–125.13+ | VI.B.46.097v (g): 'an adorable look of amaze' |
–125.13+ | Sapper: John Walters 89: 'My Lady of the Jasmine': 'An adorable look of amazement came on her face' |
–125.13+ | amazement |
–125.13+ | amusement |
–125.13+ | German Zement: cement |
–125.13+ | low-class |
125.14 | with an upandown ladder? Not Hans the Curier though had he |
–125.14+ | VI.B.46.097ag (g): 'up and over ladder' |
–125.14+ | Sapper: John Walters 131: 'The Man-Trap': 'An "up-and-over" — or trench-ladder — was lowered into the dug-out' (presumably World War I Slang) |
–125.14+ | up and down (Motif: up/down) |
–125.14+ | (not *V*) [.17] [.23] |
–125.14+ | 'Clever Hans', trained horse [108.15] |
–125.14+ | Dutch Hans de Koerier: Shaun the Post (Motif: pen/post) [.23] |
–125.14+ | Hans Curjel: director of Corso Theatre, Zurich (and friend of Joyce) |
–125.14+ | Ham: son of Noah (Motif: Shem, Ham and Japhet) [.17] [.23] |
125.15 | had have only had some little laughings and some less of cheeks |
–125.15+ | according to Ben Jonson, Shakespeare had 'smalle Latine and lesse Greeke' (Motif: Greek/Roman) |
125.16 | and were he not so warried by his bulb of persecussion he could |
–125.16+ | worried |
–125.16+ | VI.B.18.186l (k): 'bulb of percussion' |
–125.16+ | Impey: Origin of the Bushmen and the Rock Paintings of South Africa 47: (of prehistoric stone instruments) 'The Piltdown man... used flint instruments roughly dressed. None of these flint instruments had the bulb of percussion' (an eminence on a flint blade where it had been hit during shaping, considered an indication of human manufacture) |
–125.16+ | persecution |
125.17 | have, ay, and would have, as true as Essex bridge. And not Go- |
–125.17+ | Dublin phrase It is as true as Essex Bridge |
–125.17+ | (not *Y*) [.14] [.23] |
–125.17+ | Greek pheugô: I go (pronounced 'févgo') |
–125.17+ | Joseph |
–125.17+ | Japhet: son of Noah [.14] |
125.18 | pheph go gossip, I declare to man! Noe! To all's much relief |
–125.18+ | Greek menô: I stay |
125.19 | one's half hypothesis of that jabberjaw ape amok the showering |
–125.19+ | Lewis Carroll: Through the Looking-Glass ch. I: 'Jabberwocky' |
–125.19+ | jabbering |
–125.19+ | jabbing [124.03-.12] |
–125.19+ | flowering chestnuts |
125.20 | jestnuts of Bruisanose was hotly dropped and his room taken up |
–125.20+ | phrase drop like a hot chestnut: disassociate oneself from (someone or something) as quickly as possible |
–125.20+ | bruise a nose |
–125.20+ | Brasenose College, Oxford |
125.21 | by that odious and still today insufficiently malestimated note- |
–125.21+ | VI.B.14.228f (r): 'notesnatcher *C*' |
–125.21+ | note-taker |
125.22 | snatcher (kak, pfooi, bosh and fiety, much earny, Gus, poteen? |
–125.22+ | Russian kak vy pozhivaete, moy chërny Gospodin?: how are you, my black sir? (Motif: How are you today, my dark/fair sir?) |
–125.22+ | Dutch kak: shit |
–125.22+ | German pfui!: pew!, ugh! (exclamation of disgust) |
–125.22+ | Dutch foei: fie! (exclamation of reproach or disgust) |
–125.22+ | bosh: foolish talk, nonsense |
–125.22+ | Anglo-Irish poteen: illicit whiskey |
–125.22+ | Henry Lawson: 'Sez You' (poem, 1893; each of the five stanzas ends with a small, but significant, variation on the same verse, e.g. 'For it can't go on forever, and — 'I'll rise some day,' says you.') |
125.23 | Sez you!) Shem the Penman. |
–125.23+ | (*C*) [.14] [.17] |
–125.23+ | Shem: son of Noah [.14] |
–125.23+ | Motif: Shem/Shaun [.14] |
–125.23+ | Shem the Penman (Jim the Penman: nickname of James Townshend Saward, a notorious 19th century English barrister and forger) [.14] |
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