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Finnegans Wake lines: | 36 |
Elucidations found: | 155 |
182.01 | shamiana, how few or how many of the most venerated public |
---|---|
–182.01+ | Anglo-Indian shamiana: a cloth canopy, a flat awning |
–182.01+ | shams |
182.02 | impostures, how very many piously forged palimpsests slipped |
–182.02+ | VI.B.10.009f (r): 'imposture book through the ages, revered more & more' |
–182.02+ | Giacomo (James) Cortese forged a classical palimpsest [181.16] [181.27] |
–182.02+ | palimpsest: parchment written over twice |
182.03 | in the first place by this morbid process from his pelagiarist pen? |
–182.03+ | Pelagianism: a heresy promoted by Pelagius, who was possibly Irish, denying the transmission of the Original Sin and stressing man's free will to do good without the assistance of divine grace [525.07] [358.36-359.09] |
–182.03+ | VI.B.6.079h (r): 'plagiarist' |
–182.03+ | Jespersen: The Growth and Structure of the English Language 123 (sec. 121): 'Among the innumerable words of recent formation in -ist may be mentioned... plagiarist' |
182.04 | Be that as it may, but for that light phantastic of his gnose's |
–182.04+ | phrase trip the light fantastic: to dance nimbly (from Milton: other works: L'Allegro: 'Come, and trip it as ye go, On the light fantastick toe') |
–182.04+ | gnosis: special knowledge of spiritual mysteries (from Greek gnosis: knowledge) |
–182.04+ | Gnostic heresies |
–182.04+ | nose's |
–182.04+ | (red nose from drinking) |
182.05 | glow as it slid lucifericiously within an inch of its page (he would |
–182.05+ | Latin lucifer: light-bringer, light-bearer |
–182.05+ | lucifer: a type of match |
182.06 | touch at its from time to other, the red eye of his fear in |
–182.06+ | at it |
–182.06+ | Macpherson: The Poems of Ossian II.165: Temora I: (of Cairbar who has murdered Cormac) 'the red eye of his fear is sad' |
–182.06+ | Colloquial red eye: conjunctivitis (from which, among other eye ailments, Joyce repeatedly suffered) |
–182.06+ | foreign |
–182.06+ | Joyce: Ulysses.9.735: 'beautifulinsadness Best' |
182.07 | saddishness, to ensign the colours by the beerlitz in his mathness |
–182.07+ | caddishness |
–182.07+ | French enseigner: to teach |
–182.07+ | beer |
–182.07+ | Joyce worked for the Berlitz School in Trieste and Pola |
–182.07+ | phrase method in madness |
182.08 | and his educandees to outhue to themselves in the cries of girl- |
–182.08+ | Motif: 7 rainbow girls [.08-.10] |
–182.08+ | Italian educande: girl boarders in convent schools |
–182.08+ | outdo |
–182.08+ | phrase hue and cry: outcry, public cry of alarm or pursuit or disapproval (but given that 'hue' also means 'colour', Motif: ear/eye) |
182.09 | glee: gember! inkware! chonchambre! cinsero! zinnzabar! tinc- |
–182.09+ | Motif: 7 colours of rainbow [.09-.10] |
–182.09+ | Dutch gember: ginger |
–182.09+ | (red) ember |
–182.09+ | German Ingwer: ginger |
–182.09+ | Conchobar: uncle of Cuchulainn |
–182.09+ | French gingembre: ginger |
–182.09+ | Cicero: 1st century BC Roman orator and statesman |
–182.09+ | Italian zenzero: ginger |
–182.09+ | Latin zinziber: ginger |
–182.09+ | cinnabar: chief ore of (blueish) mercury |
–182.09+ | Slang tincture: whiskey |
–182.09+ | Isatis tinctoria: source of indigo |
–182.09+ | ginger |
182.10 | ture and gin!) Nibs never would have quilled a seriph to |
–182.10+ | gin contains juniper (violet berries) |
–182.10+ | ginger |
–182.10+ | Slang phrase His Nibs: the person mentioned (implying self-importance, similar to 'His Lordship') |
–182.10+ | nib: the point of a pen |
–182.10+ | (put pen to paper) |
–182.10+ | VI.B.14.075g (r): 'seriph (fine line in letter)' |
–182.10+ | seriph: serif, a fine cross-stroke at the top or bottom of a letter |
–182.10+ | seraph |
182.11 | sheepskin. By that rosy lampoon's effluvious burning and with |
–182.11+ | sheepskin parchment |
–182.11+ | (his nose) |
–182.11+ | lampoon: a coarse satirical attack (from French Slang lampons: let us drink (a popular refrain in lampooning songs)) |
–182.11+ | lampion: a simple oil lamp, made of a cup with oil and a wick |
182.12 | help of the simulchronic flush in his pann (a ghinee a ghirk he |
–182.12+ | Latin simul: at the same time |
–182.12+ | Greek chronikos: of time |
–182.12+ | phrase flash in the pan: a showy failed attempt, an early success not followed through (from a flintlock gun having its powder ignite without it actually firing) |
–182.12+ | (flushing the lavatory pan) |
–182.12+ | (flash of inspiration in his brain pan) |
–182.12+ | Armenian gine: price |
–182.12+ | Armenian girk': book |
182.13 | ghets there!) he scrabbled and scratched and scriobbled and |
–182.13+ | Kenneth Grahame: The Wind in the Willows (1908), ch. I, 'The River Bank': 'So he scraped and scratched and scrabbled and scrooged, and then he scrooged again and scrabbled and scratched and scraped' |
–182.13+ | Irish scríob: scratch |
–182.13+ | Irish scríobh: write |
–182.13+ | scribbled |
182.14 | skrevened nameless shamelessness about everybody ever he met, |
–182.14+ | Swedish skrev: wrote |
–182.14+ | scrivener |
–182.14+ | New York Times Book Review 28 May 1922, 6: 'James Joyce's Amazing Chronicle' (review of Joyce: Ulysses by Joseph Collins): (of Joyce) 'It is not unlikely that... every person he has ever met... is to be encountered in the obscurities and in the franknesses of Ulysses' (Deming: The Critical Heritage 224; also appears in Collins: The Doctor Looks at Literature 42) |
182.15 | even sharing a precipitation under the idlish tarriers' umbrella |
–182.15+ | idlish: somewhat idle |
–182.15+ | Irish terrier: a popular breed of dog, known for its weather-proof coat |
–182.15+ | Archaic tarrier: procrastinator, delayer |
–182.15+ | VI.B.3.051e (r): 'the dogs' umbrella' |
182.16 | of a showerproof wall, while all over up and down the four |
–182.16+ | Motif: up/down |
182.17 | margins of this rancid Shem stuff the evilsmeller (who was |
–182.17+ | VI.B.6.116f (r): 'rancid Joyce stuff' |
–182.17+ | Sporting Times 1 Apr 1922, 4: 'The Scandal of Ulysses' (review of Joyce: Ulysses by Aramis): 'a very rancid chapter of the Joyce stuff, which appears to have been written by a perverted lunatic who has made a specialty of the literature of the latrine' (Deming: The Critical Heritage 192) |
182.18 | devoted to Uldfadar Sardanapalus) used to stipple endlessly |
–182.18+ | Macpherson: The Poems of Ossian II.82: Fingal V: 'I fought with great Ulfada' (glossed in a footnote: 'long beard') |
–182.18+ | Old Father |
–182.18+ | Sardanapalus: last king of Assyria; buried himself, wives and treasure when his subjects rebelled |
182.19 | inartistic portraits of himself in the act of reciting old |
–182.19+ | Joyce: A Portrait |
–182.19+ | Old Nick: the devil |
182.20 | Nichiabelli's monolook interyerear Hanno, o Nonanno, acce'l |
–182.20+ | Motif: Mick/Nick |
–182.20+ | Machiavelli |
–182.20+ | French monologue intérieur: interior monologue |
–182.20+ | into yer ear (Motif: ear/eye) [.22] |
–182.20+ | Hanno: Carthaginian navigator |
–182.20+ | Italian hanno o non hanno: have or have not (third person plural; Motif: The haves and the have-nots) [123.32] |
–182.20+ | William Shakespeare: Hamlet III.1.56: 'To be, or not to be — that is the question' (Italian essere o non essere, questo è il problema) |
182.21 | brubblemm'as, ser Autore, q.e.d., a heartbreakingly handsome |
–182.21+ | Italian Archaic ser: Sir (form of address) |
–182.21+ | Italian autore: author |
–182.21+ | Arthur |
–182.21+ | Q.E.D.: which was to be demonstrated |
–182.21+ | VI.B.6.165b (r): 'heartbreakingly handsome' |
–182.21+ | Irish Independent 9 Feb 1924, 6/7: 'Brilliant Function. The Ward Hunt Ball. (From Our Lady Correspondent)': 'half the male element was red-coated... it's not often they get a turn of looking heart-breakingly handsome' |
182.22 | young paolo with love lyrics for the goyls in his eyols, a plain- |
–182.22+ | Paolo loved his brother's wife, Francesca (Dante: The Divine Comedy: Inferno V; also operatic role) |
–182.22+ | (Motif: 7 items of clothing) [.22-.28] |
–182.22+ | Hebrew goy: a Gentile (Motif: Jew/Gentile) [.23] |
–182.22+ | Cornish goyl: the sail of a ship |
–182.22+ | girls in his eyes [.20] |
–182.22+ | Ibsen: all plays: Little Eyolf |
–182.22+ | isles |
–182.22+ | plaintive tenor voice |
182.23 | tiff's tanner vuice, a jucal inkome of one hundred and thirtytwo |
–182.23+ | Jew [.22] |
–182.23+ | ducal income |
–182.23+ | Dutch inkomen: income |
–182.23+ | Motif: 1132 |
182.24 | dranchmas per yard from Broken Hill stranded estate, Came- |
–182.24+ | drachmas |
–182.24+ | year |
–182.24+ | Variants: {FnF, Vkg, Png: ...from...} | {BMs (47471b-61v): ...derived from...} |
–182.24+ | Broken Hill Estates: Australian mine-owning corporation |
–182.24+ | landed |
–182.24+ | Cambridge man: an alumnus of Cambridge University [.26] |
–182.24+ | cambric |
182.25 | breech mannings, cutting a great dash in a brandnew two guinea |
–182.25+ | manners |
–182.25+ | Colloquial phrase cut a dash: make a display, show off |
–182.25+ | (costs two guineas, i.e. two pounds and two shillings) |
182.26 | dress suit and a burled hogsford hired for a Fursday evenin |
–182.26+ | burl: to dress cloth by removing knots and lumps |
–182.26+ | Obsolete burled: striped |
–182.26+ | hog: short for hog-wool, the fleece a first-shorn sheep |
–182.26+ | Oxford: Oxford shirt, a type of dress shirt [.24] |
–182.26+ | Thursday |
182.27 | merry pawty, anna loavely long pair of inky Italian moostarshes |
–182.27+ | party |
–182.27+ | ALP (Motif: ALP) |
–182.27+ | and a lovely |
–182.27+ | moustaches |
182.28 | glistering with boric vaseline and frangipani. Puh! How un- |
–182.28+ | frangipane: perfume resembling jasmine, possibly named after its inventor (Italian frangipani: bread-breakers) |
–182.28+ | VI.B.6.072k (r): 'unmentionables inexplicables unwhisperables' (only last word crayoned) |
–182.28+ | Jespersen: The Growth and Structure of the English Language 249 (sec. 247): 'trousers... the very absurdity of the taboo, which made people invent no end of comic names (inexpressibles, inexplicables, indescribables, ineffables, unmentionables, unwhisperables... etc.)' |
182.29 | whisperably so! |
–182.29+ | |
182.30 | The house O'Shea or O'Shame, Quivapieno, known as the |
–182.30+ | {{Synopsis: I.7.1.T: [182.30-184.10]: Shem's filthy lair — its composition}} |
–182.30+ | Katharine O'Shea: Parnell's lover (while married to Captain William O'Shea) and later his wife |
–182.30+ | phrase O shame! (exclamation of disapproval) |
–182.30+ | of Shem |
–182.30+ | Italian qui va pieno: here goes a full one, here goes fullness |
–182.30+ | Italian proverb Chi va piano, va sano e va lontano: who goes slow, goes healthy and goes far; slow and steady wins the race |
182.31 | Haunted Inkbottle, no number Brimstone Walk, Asia in Ireland, |
–182.31+ | Glasnevin School, Botanical Avenue, Dublin was nicknamed 'The Inkbottle' because it was built in the shape of an ink bottle, at the suggestion of Swift ('Out of the Ink Bottle come Ink. Ink is ideas put on paper. We need Ink Bottles'), who also donated generously towards its erection |
–182.31+ | brimstone: sulphur (especially in reference to its flammable nature and its association with hell) [183.01] |
182.32 | as it was infested with the raps, with his penname SHUT sepia- |
–182.32+ | rats |
–182.32+ | Shem the Penman |
–182.32+ | (door shut) [.34] |
182.33 | scraped on the doorplate and a blind of black sailcloth over its |
–182.33+ | (blind over window) |
–182.33+ | (Joyce sometimes wore a black eye-patch over one eye) |
–182.33+ | on his death-bed, Tristan sends his friend Kahedin to bring him Iseult, with instructions to hoist white sails if he succeeds, and black sails if not (he does bring Iseult, but Tristan's jealous wife, Iseult of Brittany, lies to Tristan about the colour of the sails) |
–182.33+ | Motif: dark/fair (black, wan) |
182.34 | wan phwinshogue, in which the soulcontracted son of the secret |
–182.34+ | Irish aon fuinneog: one window |
–182.34+ | Anglo-Irish pishogue: given to superstitious practices (from Irish piseog: witchcraft, sorcery, charm, spell, superstition) |
–182.34+ | VI.B.45.114e (o): 'his contracted soul (door shut)' [.32] |
–182.34+ | Macpherson: The Poems of Ossian II.171n: Temora I: 'No nation in the world carried hospitality to a greater length than the ancient Scots. It was even infamous, for many ages, in a man of condition, to have the door of his house shut at all, lest, as the bards express it, the stranger should come and behold his contracted soul' [.32] |
–182.34+ | VI.B.45.118b (o): 'son of secret cell' |
–182.34+ | Macpherson: The Poems of Ossian II.151: The Battle of Lora: (begins) 'Son of the distant land, who dwellest in the secret cell! do I hear the sound of thy grove? or is it thy voice of songs?' |
182.35 | cell groped through life at the expense of the taxpayers, dejected |
–182.35+ | (rhyming couplet) |
–182.35+ | injected |
182.36 | into day and night with jesuit bark and bitter bite, calico- |
–182.36+ | VI.B.16.140i (r): 'jesuits' powder (quinine)' |
–182.36+ | Jesuits' bark: Cinchona bark, from which quinine is derived (so called for being introduced into Europe from the Jesuit missions in Peru) |
–182.36+ | phrase one's bark is worse than one's bite: one appears more intimidating than one really is |
–182.36+ | phrase the biter bit |
–182.36+ | bile |
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