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| Collection last updated: | Apr 6 2024 |
| Engine last updated: | Feb 18 2024 |
| Finnegans Wake lines: | 47 |
| Elucidations found: | 114 |
| 280.01 | A scene at sight. Or dreamoneire. Which |
|---|---|
| –280.01+ | at night |
| –280.01+ | sight [279.09] |
| –280.01+ | oneiric: pertaining to dreams (from Greek oneiros: dream) |
| –280.01+ | on air |
| –280.01+ | Irish Éire: Ireland |
| 280.02 | they shall memorise. By her freewritten |
| –280.02+ | rewritten |
| 280.03 | Hopely for ear that annalykeses if scares for |
| –280.03+ | happily |
| –280.03+ | Motif: ear/eye |
| –280.03+ | Annaly: ancient territory in County Longford |
| –280.03+ | analyses |
| –280.03+ | scarce |
| 280.04 | eye that sumns. Is it in the now woodwordings |
| –280.04+ | sums |
| –280.04+ | Latin somnia: sleep |
| –280.04+ | new |
| 280.05 | of our sweet plantation where the branchings |
| –280.05+ | VI.B.3.071c (b): 'Sweet plantation (MW's res) the branches there' |
| –280.05+ | Schuré: Woman the Inspirer 21: (translation of Mathilde Wesendonck's poem 'In the Vinery') 'Crowned with leaves and branches slender... Well I know it! Sweet plantation... Silence reigns! the branches shiver... Falling from the green leaves there!' |
| 280.06 | then will singingsing tomorrows gone and |
| –280.06+ | |
| 280.07 | yesters outcome as Satadays aftermoon lex |
| –280.07+ | yesterdays to come |
| –280.07+ | Saturday afternoon... twelve months' mind [460.29-.30] |
| –280.07+ | Latin lex: law |
| –280.07+ | W.S.J. Joyce: The Neighbourhood of Dublin 323: (quotes an anonymous 19th century poem about Sunday morning excursions outside Dublin) 'Or Leixlip smiling on the stream below' (Leixlip: a village on the Liffey west of Dublin; the name means 'Salmon Leap') |
| 280.08 | leap smiles on the twelvemonthsminding? |
| –280.08+ | (salmon returns to native river to spawn) |
| –280.08+ | (anniversary) |
| –280.08+ | month's mind: a mass for a deceased celebrated one month after his death, reminding the congregation of Purgatory |
| 280.09 | Such is. Dear (name of desired subject, A.N.), |
| –280.09+ | Motif: The Letter (major version of) [.09-.27] |
| –280.09+ | Motif: The Letter: Dear, and it goes on to |
| –280.09+ | Latin Amati Nomen: name of beloved |
| –280.09+ | Ann (*A*) [113.18] |
| 280.10 | well, and I go on to. Shlicksher. I and we |
| –280.10+ | she licks her (pencil) [.16] [.19] [.27] |
| –280.10+ | Yiddish shikseh: young non-Jewish woman |
| 280.11 | (tender condolences for happy funeral, one |
| –280.11+ | Motif: The Letter: grand funeral/fun-for-all |
| –280.11+ | (one 'f' in 'funeral') |
| 280.12 | if) so sorry to (mention person suppressed for |
| –280.12+ | |
| 280.13 | the moment, F.M.). Well (enquiries after all- |
| –280.13+ | Motif: The Letter: poor Father Michael [279.F32] |
| –280.13+ | Finn MacCool |
| –280.13+ | Motif: The Letter: all at home's health |
| 280.14 | healths) how are you (question maggy). A |
| –280.14+ | Motif: The Letter: how are you |
| –280.14+ | Motif: The Letter: well Maggy/Madge/Majesty [.13] [.20] |
| –280.14+ | mark |
| –280.14+ | ALP (Motif: ALP) |
| 280.15 | lovely (introduce to domestic circles) pershan |
| –280.15+ | Motif: The Letter: lovely present/parcel of cakes [279.F33] |
| –280.15+ | Persian cat |
| –280.15+ | person |
| 280.16 | of cates. Shrubsher. Those pothooks mostly |
| –280.16+ | cates: bought provisions |
| –280.16+ | Kate's (*K*) |
| –280.16+ | caste |
| –280.16+ | she rubs her [.10] [.19] [.27] |
| –280.16+ | VI.B.3.010a (r): 'Isolde — ornaments her father's caligraphy Vere Foster' (Iseult) |
| –280.16+ | Flood: Ireland, Its Saints and Scholars 106: 'Ferdinand Keller's remarks on the manner in which the excellence of the Irish school of caligraphy was obtained are also applicable in other arts' |
| –280.16+ | pothook: a stroke in handwriting |
| –280.16+ | buttocks |
| 280.17 | she hawks from Poppa Vere Foster but these |
| –280.17+ | has |
| –280.17+ | American Colloquial poppa: father |
| –280.17+ | Vere Henry Lewis Foster: 19th century Anglo-Irish philanthropist, famous for having devised a series of handwriting copybooks (e.g. Elementary Drawing Copybooks and Public School Writing Copybooks), used well into the 20th century (Joyce: Ulysses.17.1775) |
| 280.18 | curly mequeues are of Mippa's moulding. |
| –280.18+ | curlicues |
| –280.18+ | (mother's) |
| 280.19 | Shrubsheruthr. (Wave gently in the ere turn- |
| –280.19+ | she rubs her other [.10] [.16] [.27] |
| –280.19+ | air |
| –280.19+ | [286.18] |
| 280.20 | ing ptover.) Well, mabby (consolation of |
| –280.20+ | P.T.O. |
| –280.20+ | it over |
| –280.20+ | Motif: The Letter: well Maggy/Madge/Majesty [.13-.14] |
| –280.20+ | maybe |
| –280.20+ | phrase of sorts: in a rather limited way |
| 280.21 | shopes) to soon air. With best from cinder |
| –280.21+ | hopes |
| –280.21+ | Motif: The Letter: hopes to soon hear |
| –280.21+ | Variants: {FnF, Vkg, JCM: ...from cinder...} | {Png: ...from-cinder...} |
| –280.21+ | Cinderella and Prince Charming: the main characters of pantomime Cinderella, who marry at the end |
| –280.21+ | sender |
| 280.22 | Christinette if prints chumming, can be when |
| –280.22+ | Prince: The Dissociation of a Personality 1: (begins) 'Miss Christine L. Beauchamp, the subject of this study, is a person in whom several personalities have become developed' (Motif: The Letter: Christine) [.23] |
| 280.23 | desires Soldi, for asamples, backfronted or, |
| –280.23+ | Isolde: another name for Iseult (Motif: anagram, nearly) |
| –280.23+ | Sally: the most prominent secondary personality of Christine in Prince: The Dissociation of a Personality [.22] |
| –280.23+ | Italian soldi: money, small change, pennies |
| 280.24 | if all, peethrolio or Get my Prize, using her |
| –280.24+ | Motif: heliotrope (Motif: anagram) |
| –280.24+ | Italian petrolio: petroleum |
| –280.24+ | Parnell (about selling him): 'When you sell, get my price' |
| 280.25 | flower or perfume or, if veryveryvery chum- |
| –280.25+ | charming |
| 280.26 | ming, in otherwards, who she supposed adeal, |
| –280.26+ | phrase in other words (introducing a repetition of an earlier point, usually in simpler terms) |
| –280.26+ | ideal |
| 280.27 | kissists my exits. Shlicksheruthr. From Auburn |
| –280.27+ | (kiss my arse) |
| –280.27+ | kisses my x's (Motif: The Letter: four crosskisses) |
| –280.27+ | she licks her other [.10] [.16] [.19] |
| 280.28 | chenlemagne. Pious and pure fair one, all has |
| –280.28+ | CHE (Motif: HCE) |
| –280.28+ | French chêne: oak |
| –280.28+ | Charlemagne |
| –280.28+ | pious, pure, fair [178.17] [518.33] |
| –280.28+ | Latin pura et pia bella: pure and pious wars (a phrase used by Vico to refer to religious wars of the heroic age) |
| 280.29 | concomitated to this that she shall tread them |
| –280.29+ | come |
| –280.29+ | read |
| 280.30 | lifetrees leaves whose silence hitherto has |
| –280.30+ | Motif: tree/stone [.31] |
| –280.30+ | Tree of Life (Kabbalah) |
| –280.30+ | VI.B.3.038i (o): 'lovers' silences' |
| 280.31 | shone as sphere of silver fastalbarnstone, that |
| –280.31+ | Dutch barnsteen: amber |
| 280.32 | fount Bandusian shall play liquick music and |
| –280.32+ | Horace: Odes III.13.1: 'O fons Bandusiae' (Latin 'O spring of Bandusia') |
| –280.32+ | VI.B.3.038g (o): 'Is's piss liquid sunlight' |
| –280.32+ | liquid |
| 280.33 | after odours sigh of musk. Blotsbloshblothe, |
| –280.33+ | Motif: The Letter: teastain |
| 280.34 | one dear that was. Sleep in the water, drug at |
| –280.34+ | wonder |
| –280.34+ | tear |
| –280.34+ | Motif: 4 elements (water, fire, earth, air) |
| –280.34+ | Dutch droog: dry (adjective and imperative) |
| 280.35 | the fire, shake the dust off and dream your one |
| –280.35+ | Variants: {FnF, Vkg, JCM: ...the dust...} | {Png: ...thedust...} |
| 280.36 | who would give her sidecurls to. Till later |
| –280.36+ | phrase at later Lammas: never |
| 280.L01 | Bibelous hics- |
| –280.L01+ | Bible |
| –280.L01+ | bibulous |
| –280.L01+ | libellous history |
| 280.L02 | tory and Barbar- |
| –280.L02+ | Barbarossa: German emperor who opposed Adrian IV |
| –280.L02+ | barbarian history |
| 280.L03 | assa harestary. |
| –280.L03+ | |
| 280.L04 | A shieling in cop- |
| –280.L04+ | shieling: rough hut on grazing land |
| –280.L04+ | shilling in coppers |
| –280.L04+ | Walter A. Copinger: 19th century lawyer and bibliographer of incunabula (wrote Incunabula Biblica (1892); Archdeacon J.F.X.P. Coppinger) [.L01] |
| 280.L05 | pingers and por- |
| –280.L05+ | parish soup always |
| 280.L06 | rish soup all days. |
| –280.L06+ | |
| 280.L07 | How matches |
| –280.L07+ | how much is |
| 280.L08 | metroosers? |
| –280.L08+ | my trousers |
| 280.L09 | Le hélos tombaut |
| –280.L09+ | French les héros tombant seul sur la Champs de Mars: the heroes falling alone on the Champs de Mars (Paris) |
| 280.L10 | soul sur la jambe |
| –280.L10+ | French jambe de marche: walking-leg |
| 280.L11 | de marche. |
| –280.L11+ | |
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