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Collection last updated: Apr 6 2024
Engine last updated: Feb 18 2024
Finnegans Wake lines: 36
Elucidations found: 160

493.01took a brief one in his shirtsails out of the alleged given mineral,
–493.01+German Brief: letter
–493.01+(drink)
–493.01+shirttails
–493.01+(mineral water bottle) [492.18]
493.02telling me see his in Foraignghistan sambat papers Sunday feac-
–493.02+(picture)
–493.02+foreign
–493.02+Persian farangistan: Europe
–493.02+Afghanistan
–493.02+Malay sambat: connect, tie, join together
–493.02+Hungarian szombat: Saturday
–493.02+Sunday papers
–493.02+Latin sanctificetur: hallowed be (part of the Latin Pater Noster: Our Father, Lord's Prayer; prayer)
493.03tures of a welcomed aperrytiff with vallad of Erill Pearcey O
–493.03+aperitif
–493.03+Taff (Motif: Butt/Taff) [.04]
–493.03+Arabic wallad: son of, a child
–493.03+The Ballad of Persse O'Reilly (Persse O'Reilly) [044.24]
–493.03+Bishop Percy: ballad collector (his ballad 'Chevy Chase' concerns Earl Percy)
493.04he never battered one eagle's before paying me his duty on my
–493.04+VI.B.14.217h (r): '...never battered an eye' [.06]
–493.04+(batted an eye)
–493.04+Butt [.03]
493.05annaversary to the parroteyes list in my nil ensemble, in his lazy-
–493.05+APL (Motif: ALP)
–493.05+Milton: Paradise Lost
–493.05+French Colloquial tout ensemble: (of an artists' model) fully naked, in the altogether
–493.05+French Nil: Nile (river)
–493.05+nil: nothing
–493.05+easychair
493.06chair but he hidded up my hemifaces in all my mayarannies and
–493.06+French chair: flesh
–493.06+VI.B.14.217h (r): 'face like end of time...' [.04] [.06-.08]
–493.06+Hindustani maharani: wife of a maharajah [.09]
–493.06+Italian maggiorana: marjoram
–493.06+May [.07]
493.07he locked plum into my mirrymouth like Ysamasy morning in
–493.07+VI.B.14.221e (r): 'look him plain in face' [.06]
–493.07+looked
–493.07+song The Merry, Merry Month of May [.06]
–493.07+mirror
–493.07+ysamasy (Motif: palindrome, alluding to *I*'s mirror)
–493.07+Christmas
–493.07+Issy (*I*)
493.08the end of time, with the so light's hope on his ruddycheeks and
–493.08+Sunlight Soap: the world's first packaged and branded laundry and household soap, introduced in 1884
–493.08+Italian radici: roots (pronounched 'radichi')
–493.08+Rawhead-and-bloodybones: a nursery bugbear
493.09rawjaws and, my charmer, whom I dipped my hand in, he simply
–493.09+rajah [.06]
–493.09+Italian raggio: ray
–493.09+rejoice
–493.09+when
493.10showed me his propendiculous loadpoker, Seaserpents hisses
–493.10+Latin propendulus: hanging down in front
–493.10+perpendicular
–493.10+Slang poker: penis
–493.10+Italian se si pentisse: if he/she/it repents
493.11sissastones, which was as then is produced in his mansway by
–493.11+Italian sassi: stones
493.12this wisest of the Vikramadityationists, with the remere remind
–493.12+Hindustani Vikramaditya: royal patron of arts (literally 'sun of power')
–493.12+meditationists
–493.12+mere
493.13remure remark, in his gulughurutty: Yran for parasites with rum
–493.13+demure: (of women, usually) modest, reserved, serious (genuinely or affectedly)
–493.13+gurgles
–493.13+Gujarati: an Indian language
–493.13+Italian rutti: belches
–493.13+I ran
–493.13+Anglo-Irish Erin: Ireland
493.14for the turkeycockeys so Lithia, M.D., as this is for Snooker,
–493.14+phrase cock a snook: put the thumb on one's nose and wiggle the other fingers, as a sign of derision (Motif: thumb to nose)
–493.14+to Lithuania
–493.14+Greek lithia: precious stones
–493.14+lithia water
–493.14+Livia
–493.14+M.D.: Swift's abbreviation for Swift's Stella and her companion Mrs Dingley in his letters (standing for 'my dears', or for 'my dear' when only referring to Swift's Stella)
493.15bort!
–493.15+Variants: {FnF, Vkg, JCM: ...bort!} | {Png: ...bort.}
–493.15+Danish bort: away
493.16    — Which was said by whem to whom?
–493.16+wh + (Motif: 5 vowels) + m: E, O, A, I, U [.16-.17]
–493.16+German wem: whom
493.17    — It wham. But whim I can't whumember.
–493.17+can't remember [.18]
493.18    — Fantasy! funtasy on fantasy, amnaes fintasies! And there is
–493.18+Ecclesiastes 1:2: 'vanity of vanities; all is vanity'
–493.18+amnesia [.17]
–493.18+Latin amnis: river
–493.18+Latin omnes: all
–493.18+Anna's
–493.18+German Finte: feint; fib
–493.18+William Shakespeare: Antony and Cleopatra IV.15.66-67: 'And there is nothing left remarkable Beneath the visiting moon'
–493.18+Ecclesiastes 1:9: 'there is no new thing under the sun'
493.19nihil nuder under the clothing moon. When Ota, weewahrwificle
–493.19+Latin nihil: nothing
–493.19+nuder, under (Motif: anagram of one another)
–493.19+Ota, the wife of Turgesius, a 9th century Viking invader (known by many other similar names, e.g. Thorkel), gave audience and uttered prophecies while sitting on the high altar of Clonmacnois Cathedral
–493.19+Otos [.23]
–493.19+German wie wahr: how true
–493.19+Anglo-Irish wee: tiny
–493.19+wife
493.20of Torquells, bumpsed her dumpsydiddle down in her woolsark
–493.20+Slang bum: buttocks
–493.20+German bumsen: to thump, to bang, to bump (German Slang to have sex with)
–493.20+Colloquial diddle: to jerk from side to side, to jiggle (Slang to have sex with)
–493.20+Motif: up/down [.20-.21]
–493.20+Woolsack: seat of Lord Chancellor in House of Lords
–493.20+wool
–493.20+Scottish sark: a shirt
493.21she mode our heuteyleutey girlery of peerlesses to set up in all
–493.21+made
–493.21+German heute: today
–493.21+Slang hoity-toity: supercilious
–493.21+German Leute: people
–493.21+Slang girlery: brothel
–493.21+gallery of peeresses
–493.21+sit up
493.22their bombossities of feudal fiertey, fanned, flounced and frangi-
–493.22+bombasine: a twilled dress material
–493.22+pomposities
–493.22+Motif: alliteration (f)
–493.22+French fierté: pride
–493.22+German vierte: fourth
–493.22+frangipane: a type of perfume; a type of pastry cake
493.23panned, while the massstab whereby Ephialtes has exceeded is the
–493.23+German Maßstab: ruler, measure
–493.23+Otos and Ephialtes: in Greek mythology, a pair of twins, the sons of Poseidon, who threatened to climb to heaven and attack the gods [.19] [.24]
493.24measure, simplex mendaciis, by which our Outis cuts his thruth.
–493.24+Latin simplex mendaciis: simple in (his) lies
–493.24+Horace: Odes I.5.5: 'simplex munditiis' (Latin 'simple in its elegance')
–493.24+Outis: name used by Ulysses to deceive the cyclops (literally 'no-man')
–493.24+Otos [.23]
–493.24+Motif: 5 senses (touch missing) [.24-.26] [086.32]
–493.24+Greek ous: ear
–493.24+throat
493.25Arkaway now!
–493.25+ask away
493.26    — Yerds and nudes say ayes and noes! Vide! Vide!
–493.26+Motif: yes/no (yes + no + Dialect aye: yes + noes)
–493.26+eyes and nose [.24]
–493.26+Latin vide!: see!
–493.26+French vide: empty
–493.26+French vite: fast
493.27    — Let Eivin bemember for Gates of Gold for their fadeless
–493.27+Thomas Moore: Irish Melodies: song Let Erin Remember the Days of Old: 'Let Erin remember the days of old, Ere her faithless sons betray'd her'
–493.27+be a member
–493.27+forgets
–493.27+grace of God
–493.27+fatherless sons
493.28suns berayed her. Irise, Osirises! Be thy mouth given unto thee!
–493.28+Obsolete beray: defile
–493.28+Arise, Osirises (parallels 'Wake, Finnegans')
–493.28+Archaic phrase Arise, Sir (traditionally said by the monarch to the new knight towards the end of a knighting ceremony)
–493.28+Isis, Osiris: Egyptian gods who were brother and sister and husband and wife
–493.28+Iris: Greek goddess of the rainbow
–493.28+Irish
–493.28+Budge: The Book of the Dead, ch. XXII, p. 132: 'May my mouth be given unto me that I may speak therewith in the presence of the great god'
493.29For why do you lack a link of luck to poise a pont of perfect,
–493.29+Motif: Why do I am alook alike a poss of porterpease?
–493.29+French pont: bridge
–493.29+(rainbow) [494.02]
493.30peace? On the vignetto is a ragingoos. The overseer of the house
–493.30+Budge: The Book of the Dead papyri were ornamented with vignettes (for ch. XCV, the vignette depicted a goose)
–493.30+Italian vigneto: vineyard
–493.30+rainbow
–493.30+in Egyptian hieroglyphics, a goose means 'son'
–493.30+'The overseer of the house of the overseer of the seal, Nu, triumphant, saith:' (frequent introduction in Budge: The Book of the Dead, including ch. XCV)
493.31of the oversire of the seas, Nu-Men, triumphant, sayeth: Fly as
–493.31+Latin numen: divine will
–493.31+Cardinal Newman: 19th century English theologian, famous for converting from Anglicanism to Catholicism
–493.31+'I fly as a hawk, I cackle as a goose' (frequent refrain in Budge: The Book of the Dead)
493.32the hawk, cry as the corncrake, Ani Latch of the postern is thy
–493.32+Joyce: Ulysses.15.2183: 'Elijah's voice, harsh as a corncrake's'
–493.32+corn-crake: a type of bird
–493.32+ALP (Motif: ALP)
–493.32+Ani: Egyptian scribe, subject of the Papyrus of Ani (Budge: The Book of the Dead)
–493.32+Anne Lynch's Dublin tea
–493.32+Budge: The Book of the Dead, ch. CXXV: in it the deceased is obliged to name all parts of the Hall of double Maāti (Judgement Hall), including doors, posts, locks, pillars, posterns, etc., before he is permitted to pass through
493.33name; shout!
–493.33+
493.34    — My heart, my mother! My heart, my coming forth of
–493.34+Budge: The Book of the Dead, ch. XXX.b, p. 150: 'My heart, my mother; my heart, my mother! My heart whereby I come into being!'
–493.34+Budge: The Book of the Dead, introduction, p. xvii: 'The very title "Book of the Dead" is unsatisfactory... it is no rendering whatsoever of their ancient Egyptian title... "Chapters of Coming Forth by Day"'
–493.34+Budge: The Book of the Dead, ch. LXIV, p. 218: 'I am the Lord... who cometh forth from out of the darkness'
493.35darkness! They know not my heart, O coolun dearast! Mon
–493.35+Thomas Moore: Irish Melodies: song They Know Not My Heart [air: Coolan Das]
–493.35+MacCool: Finn's patronymic (in Irish names, Mac means 'son of' and O means 'descendant of')
–493.35+Samuel Ferguson: The Coolun
–493.35+colon, pederast (anal sex)
–493.35+French mon: my
493.36gloomerie! Mon glamourie! What a surpraise, dear Mr Preacher,
–493.36+glamoury: magic, enchantment
–493.36+surprise
–493.36+Ecclesiastes 1:1: 'The words of the Preacher'


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